We have been blessed with a jazz album that I feel is a classic upon release. This is definitely one of those albums that, when I listen to it, I wish I had around when I was growing up. But right now will also do just fine.

"Grand Company" is a trio album with the esteemed jazz pianist Ray Gallon taking the role of the band leader. Alongside Ray Gallon, we have Ron Carter on the bass and Lewis Nash on drums. The names of these two sidekicks, mentioned so casually, belong to some of the most iconic musicians currently alive in jazz history.

Ron Carter has played bass for Miles Davis, Herbie Hancock, Wayne Shorter, Tony Williams, McCoy Tyner, Freddie Hubbard, Eric Dolphy, Dexter Gordon, Gil Evans, and many more.

Lewis Nash has drummed for Betty Carter, Tommy Flanagan, Oscar Peterson, Branford Marsalis, Clark Terry, Joe Lovano, Diana Krall, Kenny Barron, Benny Green, Regina Carter, and many more.

Ray Gallon has worked with Chris Potter, Benny Golson, Jon Hendricks, Art Farmer, David “Fathead” Newman, Houston Person, Russel Malone, Frank Wess, Vincent Herring, Jeremy Pelt, Peter Bernstein, Steve David, and many more.

Consider the musical experience gained from working with all these legendary names. Then it becomes no mystery why “Grand Company” comes out sounding like a classic album on release. The pedigree of these artists is not just a collection of names but a sonic testament to the rich history and depth of jazz music. It is this amalgamation of legendary experiences that breathes life into “Grand Company,” making it resonate like a timeless masterpiece. Gallon’s original compositions and his fresh perspectives on jazz standards, such as the interpretation of “Nardis,” create an auditory landscape that is simultaneously innovative and steeped in tradition.

This album marks Gallon’s first time stepping into the public as a bandleader, but the three musicians share a musical history. Gallon and Nash performed together with Ron Carter in Carter’s Quintet and Nonet. On this, Gallon is quoted talking about the album “Grand Company” as a “reunion” for the three band members. Even though these three cats are not part of the current new generation of jazz, the music still sounds energetic, vibrant, tight, and forward-thinking. I see musical acts fall off as they age. Their music starts to sound sloppy and low energy. That is definitely not happening here.

If you find the room being just a bit eerily silent during your next hot bath, café visit, or late-night introspective session, let “Grand Company” by Ray Gallon serve as the perfect companion to fill the air with the timeless elegance of jazz mastery.

Author: Peter Källman

Peter Källman is a writer from Sweden who loves playing in bands, writing reviews and going to live shows!