Sunlight, Synths, and Falsetto: Aminé Takes Us on a “Vacay”

by Peter Källman
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Aminé has just dropped a new track called “Vacay”, and based on the title alone, I already like the direction it’s headed. The beat is full of energy—it reminds me of something Channel Tres might produce, but with a cleaner, less murky sound. I’ve always loved when rap and hip hop lean into that four-on-the-floor rhythm; it gives the track momentum and makes it instantly danceable.

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“Found A Light” BADBADNOTGOOD and V.C.R Find Soulful Brilliance

by Peter Källman
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BADBADNOTGOOD, or BBNG, has just released a new track called “Found A Light”—and it’s packed with beautiful, subtle moments. One of the best parts? The spotlight they’ve given to featured vocalist V.C.R. It’s refreshing to see a band of BBNG’s stature fully credit and elevate the singers they collaborate with. V.C.R might still be considered indie, but she’s already made some waves on her own. Here, though, she truly shines—her voice is top-tier, and it’s easy to understand why BBNG chose to work with her.

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Ed Sheeran Dials Into Something New with ‘Old Phone’

by Peter Källman
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Ed Sheeran recently released a new song titled “Old Phone,” the second single from his upcoming album Play, following “Azizam.” I’ve been listening to Ed since he put out “Lego House” and all those other early hits. I’m not going to pretend I discovered him before he got big—I didn’t. But “Old Phone” is yet another great piece from one of the all-time greatest songwriters.

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Green Day’s 'Ballyhoo' Is a Nostalgic Punch That Still Hits

by Peter Källman
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Just recently, Green Day dropped a new track called “Ballyhoo.” I’m writing this review as someone who used to scream the lyrics to “Boulevard of Broken Dreams” and play “Basket Case” covers on my electric guitar. So yes—I’m definitely open to hearing anything Green Day has to offer. They've already earned my lifelong attention.

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Kesha and T-Pain Reunite for ‘YIPPEE-KI-YAY’—A Cowboy Party Anthem That Hits Hard

by Peter Källman
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Two artists I will forever love, no matter what anyone says, are T-Pain and Kesha. So when Kesha teamed up with T-Pain for her new track “YIPPEE-KI-YAY,” I knew I had to check it out. I enjoyed both versions—with and without T-Pain—but let’s be real, he never stops delivering vocals, so his version is the one I’ll be playing on repeat.

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Ari Lennox’s ‘Soft Girl Era’ Is Unexpectedly Gritty, Groovy, and Fresh

by Peter Källman
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Ari Lennox has released a new track titled “Soft Girl Era.” At first glance, the cover art led me to expect something in the realm of Ariana Grande—a light, bubbly pop sound. While the track does have fun, airy vocals, it also carries a deep, gritty melodic foundation that caught me off guard in the best way. The production is warm and layered, featuring cowbells, trap claps, heavy bass, and a subtle funk influence that shines through in both the vocals and instrumentation. There are even some unexpected details, like a choir adding richness to the sound—and if you listen closely around 1:50, you can even hear a cat meowing in the background.

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Jacob Alon’s Don’t Fall Asleep Is a Dreamy Indie Escape

by Peter Källman
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Jacob Alon has just released a new song called Don’t Fall Asleep. And to be honest, I almost did—not out of boredom, but because the song is so soothing it naturally invites relaxation. Don’t Fall Asleep is an indie/folk/pop track with a classic set of instruments, complemented by an atmospheric pad that lingers in the background. The guitar plucks through slightly unusual chord progressions, strings add warmth, and the drums propel the song forward like a steady steam locomotive.

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