Kesha and T-Pain Reunite for ‘YIPPEE-KI-YAY’—A Cowboy Party Anthem That Hits Hard

by Peter Källman
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Two artists I will forever love, no matter what anyone says, are T-Pain and Kesha. So when Kesha teamed up with T-Pain for her new track “YIPPEE-KI-YAY,” I knew I had to check it out. I enjoyed both versions—with and without T-Pain—but let’s be real, he never stops delivering vocals, so his version is the one I’ll be playing on repeat.

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Ari Lennox’s ‘Soft Girl Era’ Is Unexpectedly Gritty, Groovy, and Fresh

by Peter Källman
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Ari Lennox has released a new track titled “Soft Girl Era.” At first glance, the cover art led me to expect something in the realm of Ariana Grande—a light, bubbly pop sound. While the track does have fun, airy vocals, it also carries a deep, gritty melodic foundation that caught me off guard in the best way. The production is warm and layered, featuring cowbells, trap claps, heavy bass, and a subtle funk influence that shines through in both the vocals and instrumentation. There are even some unexpected details, like a choir adding richness to the sound—and if you listen closely around 1:50, you can even hear a cat meowing in the background.

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Jacob Alon’s Don’t Fall Asleep Is a Dreamy Indie Escape

by Peter Källman
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Jacob Alon has just released a new song called Don’t Fall Asleep. And to be honest, I almost did—not out of boredom, but because the song is so soothing it naturally invites relaxation. Don’t Fall Asleep is an indie/folk/pop track with a classic set of instruments, complemented by an atmospheric pad that lingers in the background. The guitar plucks through slightly unusual chord progressions, strings add warmth, and the drums propel the song forward like a steady steam locomotive.

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Review: HAIM’s “Relationships” Captures the Beauty and Exhaustion of Love

by Peter Källman
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The indie rock trio HAIM has just released a new song titled “Relationships.” The track has an innocent, nostalgic feel that reminds me a bit of an old John Mayer love song—not a specific one, but more in the way HAIM phrases their melodies. As a longtime listener, I think this song is a great representation of the band. HAIM often experiments with sounds, song structures, and vocal melodies, yet they always manage to make their music feel familiar and inviting.

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Review: Frankie Grande’s “Rhythm of Love” is an EDM Banger with a Twist

by Peter Källman
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Frankie Grande has recently dropped an EDM banger called “Rhythm of Love.” The music video is dark and moody, featuring exactly what the title suggests—rhythm, love, and a whole lot of energy. From the very first beat, the song grabs you with its high-energy production. But what really sets it apart is a major switch-up that completely transforms the track from what you initially expect. The visuals follow suit, shifting from a murky dance club to a gymnastics/disco set, then to a dressing room, and finally, a full-blown theater performance.

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Review: Why Aminé’s “Familiar” is a Short but Sweet Must-Listen

by Peter Källman
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The artist Aminé has just released a new song titled “Familiar.” I’ve been a big fan of his since ONEPOINTFIVE and Good For You, and he continues to impress with his ability to create music that’s both fresh and experimental while still making its way into the mainstream. It’s one thing to make something that sounds new—but making something that feels fresh and resonates with a wide audience is extraordinarily difficult.

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Review: Benihana and the Riot of Pop-Punk: A Soundtrack for the Restless

by Martín Cacho
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Once upon a time, the living rooms of nearly every home on the planet were haunted by big glass-tube squares—flickering, humming, and alive.

The magic lantern of television beamed out news, sports, and an endless parade of talking heads dissecting the world in real time. But sometimes, amid the static and the chatter, a giant yellow “M” would materialize, trembling under a graffiti-scrawled “TV.” What followed was a sensory overload—neon-drenched, hyper-saturated, a chaotic broadcast of a revolution led by variegated characters.

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