I am delighted to witness the flourishing democratization of electronic music. Each day, with every emerging artist, the boundaries between producer and composer blur further. Pop music is once again embracing experimentation, a trend reflected in the mainstream and viral successes of recent years, exemplified by artists like Kali Uchis and Helado Negro.

This realization was ignited by the latest album from Fuki Kitamura, a young and promising composer who has embarked on a pop music exploration with synths, wavetables, and a stunning display of vocal dexterity. Her EP, 500mm, presents six sophisticated and modern jazz-infused tracks that push the boundaries of contemporary music.

At just 21 years old, Fuki Kitamura has been composing since 2015, already boasting a catalog of five diverse releases, each offering a unique flavor. While 500mm takes us on a pop-electronic journey, her previous works lean heavily on her voice and piano, providing a clearer glimpse into her jazz roots. This juxtaposition highlights her versatility and growth as an artist.

In her TuneCore profile, Fuki is described as “always curious and believing in the possibility of mastering new skills.” This sentiment resonates throughout her work, reflecting an artist in constant evolution. I am excited and anticipating the new skills she will unveil in the future and how she will continue to shape and redefine her musical style.

For those who want to explore the exciting intersections of pop, jazz, and electronic music, Fuki Kitamura’s 500mm is a must-listen, showcasing the vibrant possibilities born from the ongoing democratization of electronic music and self-production.

Author: Martín Cacho

Martín is a video game composer, producer and writer from Sonora, México.