Katy Perry has just released her latest album, titled 143. After listening through the entire project, I’m ready to share some insights. First, let’s figure out why the album is called 143. A quick search reveals that “143” is a numerical shorthand for “I love you,” and it’s also reportedly Katy Perry’s personal “angel number.” This symbolism fits well with the album cover, where Perry is portrayed in a love-filled, angelic state.

The album includes her two previously released singles, “WOMAN’S WORLD” and “LIFETIMES.” What stands out here is Katy’s shift in sound, with a stronger EDM influence. The signature pop anthems she’s known for are absent on 143, but I love when artists take risks and explore new directions, which Katy has definitely done. The songs explore themes of love, female empowerment, and digitalization. While I could dive into the details of each track, albums like this are best experienced firsthand, so I encourage you to give it a listen and form your own opinion.

Some tracks feature danceable sections with well-produced EDM beats. For example, “I’M HIS, HE’S MINE (feat. Doechii)” stands out with its use of old-school rave synths and Chicago-style cowbells, two sounds I personally can’t resist.

Overall, Katy is stepping into a different soundscape with 143. This change might not appeal to all her fans, but only time will tell how it’s received. I find it refreshing to see her making music that feels true to her current artistic vision. The album also features two of my favorite rappers, JID and 21 Savage, who both deliver strong verses. JID, in particular, steals the show with his verse on “ARTIFICIAL,” where his presence elevates the track like a rocket launch.

My personal favorite track is “I’M HIS, HE’S MINE,” largely because of those nostalgic sound choices. As for where to listen to 143, it’s a mix. Some songs seem destined for the club, while others have a more relaxed, lounge-like EDM vibe. “LIFETIMES,” for example, is incredibly well-made with catchy hooks and crisp drums. I could see it playing in a shopping mall or as the backdrop for a road trip. And that’s not a bad thing!

Ultimately, I’m excited to see how 143 is received in the mainstream, and I highly encourage you to check it out!

Author: Peter Källman

Peter Källman is a writer from Sweden who loves playing in bands, writing reviews and going to live shows!