A critique of how we criticize technology and innovation: A review of Aesop's “Integrated Tech Solutions”

by Martín Cacho
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When someone brings up the theme of "technology" or “innovation” what springs to mind? What did your imagination conjure when you read the title of the album I'm about to review? AI? Brain-controlled, keyboardless computers? Cars rocketed up to mars? If someone claims that Aesop's latest album offers “a compelling critique of consumerism and technocracy culture”, what do you picture? a new chapter of Black Mirror or a continuation of Brave New World?

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Review: EARTHSIDE - Let The Truth Speak

by Martín Cacho
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I don't write about metal groups very often as I'm not a regular listener of the genre, and impressing me in that realm is a tough feat. Often, I encounter bands relying heavily on strong political messages and disturbing imagery in order to get visibility and attention from young listeners, yet with little investment in their musical craftsmanship to match that intensity. 

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Review: Wednesday Campanella's Single “Shotoku Taishi”

by Martín Cacho
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I'll keep it fair in this review because I have to admit, my introduction to Wednesday Campanella came from Oorutaichi's cover of their song “Sand Castle.” Both versions of “Sand Castle” rank high in my all-time favorite songs collection. When I stumbled upon that track, I explored other tunes from the same album “Galapagos” and got hooked on their super creative take on pop. Songs like “Picasso”, “The Bamboo Princess” and “Melos” bring in the usual pop language, orchestral tricks, and bits from the electronic music scene. But here's the kicker—they throw in these intricate and interesting polyphonic melodic ideas, superb production, and a balanced blend of traditional Japanese instruments with synthesizers and EDM-like sounds, making it all sound unique.

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Review: André 3000´s New Blue Sun

by Martín Cacho
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Something utterly unexpected has just occurred: André 300, the beloved rap legend from the Outkast duo, finally released a solo album yesterday, after more than seventeen years. What's even more surprising is that the album is anything but rap.

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Review: Terrace Martin and Alex Isley´s “I left my heart in Ladera”

by Martín Cacho
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As we draw the curtains on this year, we're immersed in an array of enthralling collaborations. This time, the spotlight shines on the EP “I Left My Heart in Ladera,” which was released by the American artists Martin Terrace and Alex Isley. These two artists have a long and interesting collaboration history but this release also benefits from the support of the multi-award-winning producer, composer, and arranger Robert Klasper.

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Review: Goodbye Evergreen - Sufjan Stevens

by Jordan
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On October 6th, Sufjan Stevens released his 9th studio album entitled, Javelin. This album is dedicated to his late partner and best friend, Evans Richardson. Though the album is filled to the brim with themes of grief and loss, the song that most directly discusses Stevens’ experience with it, is the album’s intro, “Goodbye Evergreen”. 

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Review: "NO SZNS" Latest by Jean Dawson & SZA

by Jordan
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The last few years have brought legions of well-warranted success to alternative pop artists, Jean Dawson and SZA. They each have released albums that have been successful both critically and commercially. One thing I didn’t expect to see, however, was these two artists converging so directly. One of my favorite surprises of this week’s catalog of music was a stunning collaboration between the two visionary artists. The song is titled, “NO SZNS” and it is genuinely astonishing, artful, creative, and innovative. 

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Review: 'Dream Song' - The Latest from Shallow Alcove

by Jordan
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Shallow Alcove is a band from New York, fronted by Grace Krichbaum and Dan Harris. Last week, they released a 3 song pack, leading off with the single, “Dream Song”. It’s been a long time since I’ve been so immediately infatuated with a song, particularly from a band or artist that I had never heard of before. This song is genuinely beautiful, from its lyrical content to its soundscape. It’s musically sweet, emotionally rich, and profoundly well-written. 

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