Mogwai carry cinematic feel into new studio album ‘As the Love Continues’

by Joe Sharratt
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Glasgow post-rock outfit Mogwai carved out a name for themselves in the 1990s and early 2000s with their expansive, idiosyncratic soundscapes and intense live performances. Their early collections, including the likes of Mogwai Young Team and Happy Songs For Happy People, remain immensely well loved by a loyal following who have grown with the band over the years.

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Review: Dani Larkin's New Single Love Part Three

by Joe Sharratt
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Hailing from the Armagh-Monaghan border, Dani Larkin is an emerging singer-songwriter and folk musician with a reputation as one of Ireland’s brightest new folk talents. Taking inspiration from the folktales she was raised with and fusing elements of traditional melodies and rhythms from around the world in a seamless and timeless tradition, she was awarded the Cathedral Quarter Arts Festival Artist in Residence in 2019.

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Review: The Eulogy of You and Me - LILHUDDY

by Nicholas Gaudet
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With the sudden rise of pop punk, it’s no wonder artists finally embrace their inner emo in the midst of this resurgence. The Eulogy of You and Me is just about as pop-punk as it gets, with a more modern edge, but using all the same tropes and sounds that make the genre so beloved.

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Review: David Gray contemplates isolation on his dreamy new album Skellig

by Joe Sharratt
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More than twenty years on from the release of White Ladder, David Gray’s fourth studio album which spawned the hit singles Babylon, Please Forgive Me, Sail Away, and This Year’s Love, songs that made their creator a superstar, it remains one of the biggest UK albums of the 21st century. Incredibly, it stayed in the UK top 100 for close to three years, has sold in excess of seven million copies, and is the UK’s 26th best-selling album of all time. 

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Review: Relapse Gallant

by Nicholas Gaudet
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R&B as a whole has been ever so lenient on hip-hop, and that’s not a bad thing. There’s something about the mystifying and accessibility found within it that blends ever-so beautifully with the genre that gave birth to so many, hip-hop included. Relapse, the newest song by singer Gallant is a contradiction to that, by bringing in the beauty of mid-90s R&B blended with the soul of modern neo-soul all together in a crystal-clear composition.

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Pale Waves use their long awaited new album to answer the question: Who Am I?

by Joe Sharratt
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Manchester goth pop outfit Pale Waves formed in 2014 and were signed by Dirty Hit in 2017, releasing their debut single There’s A Honey to critical acclaim. The following year they placed fifth in the BBC Sound of 2018 poll, and claimed the NME Under the Radar Award at the NME Awards. Their debut album My Mind Makes Noises charted in the UK Albums Chart top ten, and everything seemed to be falling into place for the band. 

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Review: Architects Latest Meteor

by Nicholas Gaudet
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It's very rare for metalcore acts from the golden age of the genre to stay bound within their boxes. Groups either stray off in completely different directions, or suffer a bit more tragic fate. Architects have managed to both progress their sound over the years, while keeping the energy and aggression they exuded when they first start thrashing in the mid 2000s. Their newest single, Meteor, is very much proof of that.

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Bicep honour their roots but take their sound to new heights with Isles

by Joe Sharratt
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After years spent carving out a name for themselves in the underground dance scene, Northern Irish electronic duo Bicep came crashing into the mainstream with their 2017 self-titled debut album, an unexpected top 20 hit in the UK albums chart. It was a long way to come from their origins with the FeelMyBicep blog which was a staple of the house scene in the late 2000s, but it was no less than the pair deserved.

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Finn Askew impresses with his varied and rich debut EP Peaches

by Joe Sharratt
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Hailing from a small village in Somerset, Finn Askew is an eclectic and experimental young songwriter and performer. Having discovered his love for music as a youngster when he stumbled upon his parent’s CD collection, which included some giants such as Nirvana and The Smiths, Askew started writing and recording his own songs, fusing influences that span pop, rock, R&B, hip-hop, and indie.

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