Foster The People tease upcoming album with new EP In The Darkest of Nights, Let The Birds Sing

by Andrew Braithwaite
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American indie-pop outfit Foster The People are the brainchild of singer, songwriter and multiinstrumentalist Mark Foster, and have been through a few lineup changes over the years since they founded in Los Angeles in 2009. They’ve been through a few different sounds too, regularly mixing elements of dance, pop, indie, rock and psychedelia on their three albums to date (Torches in 2011, 2014’s Supermodel, and Sacred Hearts Club, released three years ago).

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The Avalanches prove good things come to those who wait with new album We Will Always Love You

by Joe Sharratt
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Australian electro duo The Avalanches dropped their second album Wildflower in 2016, and so, by most yardsticks, the four-year wait for their newly released third album We Will Always Love You would be quite a long one. But when you consider that the group took sixteen years to release the follow up to their widely lauded debut Since I Left You, it becomes clear that they’re now positively motoring along, by their own standards.

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New Sody EP Real Growth Takes Time is a soaring and sensitive delight

by Joe Sharratt
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London-based singer-songwriter Sody has been impressing with her sublimely rich vocals and ability to craft raw, honest pop songs since she dropped her debut release Wasted Youth back in 2016. Still a teenager, Sody (otherwise known as Sophie Dyson) is already clocking up almost two and a half million monthly listens on Spotify and has collaborated with the likes of Cavetown on her work to date.

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Caro cram a little bit of everything into brilliant debut album Burrows

by Joe Sharratt
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Burrows, the long-awaited debut for Leeds-based trio Caro, is a beguiling beast. They’re a gloriously diverse band, skipping merrily from psychedelic electro to introspective folk and back again with a seemingly reckless abandon, and that makes Burrows a fantastically rewarding listen. For the uninitiated though, it’s a record that might take a while to settle into. But when you do, it’s an absolute delight, like passing through the wardrobe door into a musical Narnia, albeit a very troubled one.

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James Blake drops haunting and eclectic new covers EP

by Joe Sharratt
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Singer, songwriter, producer, multi-instrumentalist, global superstar – there’s plenty of labels you could attach to James Blake. But throughout his glittering career, which has so far featured a Mercury Prize win (and a further nomination), a Grammy Award (and five further nominations) and three Brit Award nominations, as well as projects working with everyone from Bon Iver to Beyonce, he’s never shied away from changing things up.

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One Cure for Man Releases Beautiful New Track “Humble”

by Harley Houghton
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One Cure for Man has just dropped another gorgeous new single, following on from his May 2020 release, “Haunted.” Also known as James Parkinson, One Cure for Man is once again showing his amazing ability to take inspiration from the most heartbreaking losses, to teach and encourage us, through his apt and eloquent lyrics and catchy musical style.

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Twenty One Pilots capture the holiday magic with new single Christmas Saves The Year

by Joe Sharratt
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After founding as a four-piece in 2009, indie hip-hop outfit Twenty One Pilots were reduced to the duo of vocalist Tyler Joseph and drummer Josh Dun when fellow founding members Nick Thomas and Chris Salih departed in 2011. That might have derailed lesser bands, but Twenty One Pilots refocused, and have enjoyed a huge amount of success over the last decade or so in this guise.

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Belle and Sebastian charm with live collection What to Look for in Summer

by Joe Sharratt
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A Belle And Sebastian live album has been a long time coming. The Scottish indie outfit have been bombarded by fan requests for just such a release for years, and it’s easy to see why: they’re a fantastic live band who excel in connecting with their audiences. This 23-song collection contains the pick of tracks from their 2019 tour, and from their appearances at their own Boaty Weekender festival, making it a sort of ‘best of’ live album, though there are one or two of the band’s most famous works missing, which might irk some. But there’s also plenty of big hitters, chief among them The Boy With The Arab Strap.

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Less Than Jake add some silver linings to the clouds of 2020

by Joe Sharratt
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Ska-punk scamps Less Than Jake have been recording, touring, and starting drunken teenage parties around the world for closing in on three decades now. But, just like their legions of fans, they’re growing up and growing older. It's been seven years since their last studio album See The Light was released, and there must have been some out there among us that were wondering in the intervening years if we’d ever get them back.

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Review: Rainbow Dodie

by Nicholas Gaudet
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It seems like in the jazz and folk scene, just about everyone’s heard of Dodie, and for a while, too, but it’s only now that she’s finally dedicated herself to an album. Part of that upcoming album is this newest single, titled “Rainbow”. Truthfully, I don’t think I’ve ever seen a song so appropriately titled for a track. It begins with a beautiful guitar progression, plucked one note, one string, at a time, and soon accompanied by the soothing, delicate voice of Dodie.

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Arctic Monkeys remind us of the simple joy of gigs with new live album

by Joe Sharratt
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Sheffield sensations the Arctic Monkeys were widely heralded as the saviours of authentic indie rock when they burst onto the scene with breakthrough hit I Bet You Look Good On The Dancefloor, and the album from which it was taken, Whatever People Say I Am, That’s What I’m Not, which became the fastest selling debut album in British music history when it sold a staggering 360,000 copies in its first week of release.

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Shakira Brings A Wild Energy In Black Eyed Peas’ Latest Single ‘A Girl Like Me’

by Shaoni Das
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Black Eyed Peas’ recent comeback scores a rush of excitement in the form of Shakira in their latest single ‘A Girl Like Me’. This beloved group has reassembled in the past year but most would notice that their latest work has been missing a certain feminine flavor. Though Fergie and her captivating vocals are still nowhere to be found, Shakira’s wild and over-the-top charisma shines through and makes an impact regardlessly. It helps that there’s a strong chorus to match Shakira’s spirit, one that distorts her voice at the end and layers it up a couple of pitches. The end-product is a fun, exaggerated, high-pitched refrain that echoes through the silence and builds up the mood for a rambunctious adventure. 

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