Review: Svea delights with eclectic and assured new EP Pity Party

by Joe Sharratt
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Hailing from Sweden and otherwise known as Svea Virginia Kågemark, SVEA turned a lot of heads with her debut single Don’t Mind Me back in 2018, a smart, confident pop track with a message of empowerment. It marked her out as a rising star, and her follow up track Selfish only accelerated that reputation. Her 2019 single, Complicated, with Alexander Oscar has racked up millions of streams on Spotify.

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Jade Bird’s “Headstart” Explores The First Jitters Of Love With A Little Bit Of Sass

by Shaoni Das
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Jade Bird’s latest single ‘Headstart’ explores the restlessness of an infatuation through a magical, saccharine melody. The English singer-songwriter doesn’t hesitate to lean on her vibrant, sweet-as-molasses voice that glides through the notes with ease. Her personality is beaming through the composition, and the instrumentation only heightens the spellbinding allure of Bird’s vocals.

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Review: Léon opens up with deeply personal second album Apart

by Joe Sharratt
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Swedish singer and songwriter LÉON, otherwise known as Lotta Lindgren, dropped her self-titled debut album last year, four years after the release of her first single. In the intervening years, Lindgren spent time writing in LA, with the recording process taking place in London. The album received solid reviews and established her as an artist to watch.

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Review: Wizkid cements his place as a global superstar with his new album Made In Lagos

by Joe Sharratt
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WizKid, the alias of Lagos-born singer and songwriter Ayodeji Ibrahim Balogun, is undeniably one of Nigeria’s biggest stars. Since his hit single Holla At Your Boy blew up back in 2011, and his smash hit collaboration with Drake – One Dance – went to number one in no fewer than fifteen countries in 2016, WizKid and his eclectic mix of R&B, Afrobeats, dancehall, reggae, pop and hip hop has been on a collision course with global superstardom. With his new album Made In Lagos, it feels like he has finally fully arrived at that destination.

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Review: Let Down Paris Jackson

by Nicholas Gaudet
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Model, actress, and now singer Paris Jackson took many listeners’ hearts with the release of her newest, and first, single: let down. For those who might’ve been keeping tabs on the entertainer, her foray into music might not have seemed like such a surprise, not only considering her background, but also with her current band, the Sound Flowers. However, judging on their music, to say this single was a surprise is a massive understatement.

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Can’t Put it in the Hands of Fate (Stevie Wonder feat. Rapsody, Cordae, Chika & Busta Rhymes)

by Nicholas Gaudet
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Let me begin this review with a short story, one that many most likely shared in the last week. Like many others, I launched Spotify to begin a day of work, and was greeted by the cover for a new single titled Can’t Put It In The Hands Of Fate featuring artists like Rapsody, Cordae, Busta Rhymes and… Stevie Wonder? I wiped my eyes, morning coffee still kicking in, and stared blankly at my desktop’s screen.

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Review: Jarrod Lawson Delivers Soulful Second Album Be The Change

by Joe Sharratt
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American west coast singer, songwriter and keyboardist Jarrod Lawson won a whole host of fans with his self-titled debut album back in 2014. That record’s smooth blend of R&B and soul-infused jazz led to sold-out shows at London’s Ronnie Scott’s, gigs in China, Australia and Tokyo, and festival appearances at Rotterdam’s North Sea Jazz, Indonesia’s Java Jazz, and the UK’s Love Supreme events. His follow-up EP Jarrod Lawson at the BBC was recorded at the legendary Maida Vale studio, and he’s taken the title of Soul Artist Of The Year at the Jazz FM Awards.

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Review: Eels Return with Strangely Uplifting New Album Earth to Dora

by Joe Sharratt
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The ever reclusive Mark Oliver Everett caught everyone slightly off guard this year when he dropped two surprise songs into the world. Baby Let’s Make It Real and Who You Say You Are marked a triumphant return for Everett, who under the Eels band name has released some dark albums charting his own intense personal pain and loss since the group’s superb debut album Beautiful Freak captivated legions of listeners back in the mid-1990s.

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Review: Romy Dya Drops Smart and Soulful New Single Thank You

by Joe Sharratt
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Dutch singer-songwriter Romy Dya is perhaps best known on UK shores for providing vocals for the 2019 Martin Garrix and David Guetta track So Far Away. In her homeland though, Dya has carved out a niche for penning tracks for a host of Dutch artists including The Voice of Holland winner of 2016 Maan, Sharon Doorson and Roxeanne Hazes. She’s also worked with the likes of Ghostface Killah and Busta Rhymes.

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Review: RuthAnne still making it on her own with stunning new single Remember This

by Joe Sharratt
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RuthAnne has had a remarkable career already. At just seventeen years of age, she relocated from Dublin to Los Angeles to chase her dream of a career in music. The very first song she wrote for a major artist was Jojo’s Too Little, Too Late, a top 5 hit in the Billboard Hot 100 back in 2006. She’s also written songs for the likes of Niall Horan and Britney Spears.

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Review: New Album My Echo Finds Laura Veirs in a Deeply Introspective Mood

by Joe Sharratt
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My Echo, the eleventh studio album from country legend Laura Veirs, must have been a devastatingly difficult body of work to complete. Her husband, Tucker Martine, produced the album while the couple went through couples therapy, only for their relationship to ultimately end in divorce before the album was released. But while there’s plenty of introspection and even sadness on My Echo, it is far from a bitter breakup record.

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Review: The Moons Show Plenty of Signs of Life With Compelling New Album Pocket Melodies

by Joe Sharratt
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In the week in which NASA announced the irrefutable presence of water on the Moon, The Moons showed their own signs of life as they released their fourth studio album Pocket Melodies. Sure, the news that there’s water on the Moon might have the greater implications for space travel, and the human race as a whole, but if psychedelic, sixties-inspired, space-pop indie is your thing, then don’t let the Moon hog The Moons’ limelight.

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