Review: I Wanna Be A Cowboy, Baby! - CMAT

by Nicholas Gaudet
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There’s something immediately warm and nurturing with CMAT’s music - that much has been made evident with her two last songs. With her new single, I Wanna Be A Cowboy, Baby!, the feeling remains the same, even rather heightened. In fact, everything about this track feels like a step up from her previous work. From the melodies, to the overall feel of the tune, CMAT’s newest single paved her a bright future, if her other songs hadn’t already done that.

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Review: Idles Forgo Subtlety With Heavy-hitting New Album Ultra Mono

by Joe Sharratt
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Bristol punk rockers IDLES had carved out a reputation as an acerbic and utterly compelling live act with support slots for the likes of the Foo Fighters and The Maccabees under their belts before their second album, 2018’s Joy As An Act Of Resistance, achieved the remarkable feat of cracking the top 5 of the UK’s album charts, transforming the band into Brit Award and Mercury Prize nominees almost overnight.

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Review: Matt Berry trades laughs for melodies with new album Phantom Birds

by Joe Sharratt
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You’ll almost certainly know Matt Berry from his comedy. He’s widely known for his performances in a huge list of shows including The IT Crowd, Garth Marenghi’s Dark Place, and The Mighty Boosh, as well as for co-creating and starring in the acclaimed Channel 4 comedy Toast of London, for which he won the 2015 BAFTA Award for Best Male Performance in a Comedy Programme.

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Review: LANY prepare the way for new album with latest single Cowboy In LA

by Joe Sharratt
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Indie-pop trio LANY were launched to fame when their self-titled debut album catapulted them into the public eye and launched their tours of America, Asia, Australia and Europe in 2017. Since then, the band have barely paused to breathe, following up their debut LP with Malibu Nights in 2018, building a social media following of nearly six million, selling over four hundred thousand gig tickets, and clocking up well over three billion streams.

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Review: Gazpacho create stunning and intricate soundscapes on new album Fireworker

by Joe Sharratt
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Norwegian art-rockers Gazpacho are masters when it comes to crafting richly layered cinematic rock music, often built around dark and menacing themes. They’ve experimented with concept albums throughout their long career, most notably on 2011’s Missa Atropo and on their lost album Random Access Memory, but their music is always grounded in the deeply melodic. They are a truly fascinating band with an excellent reputation for their live shows, and have released three live LPs to date.

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Review: Knuckle Puck inject some sunny optimism into 2020 with new album 20/20

by Joe Sharratt
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Critics of the pop-punk genre often (unfairly) point to the formulaic output of many of the scene’s bands, but that’s a criticism that could never be levelled at Knuckle Puck. The five-piece craft richly complex songs that manage to be at once immensely catchy, but also reward repeated listens by slowly unveiling the components that come together to create their tracks.

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Review: American Authors Unleash a Set of Pop Rock Anthems With Counting Down EP

by Adam Bailey
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New York rockers American Authors burst into the mainstream more than half a decade ago with their hit singles Believer and Best Day Of My Life taken from their 2014 debut album Oh, What A Life. By that point though, the band had been together for almost a decade, having met while in college in Boston and played together under the moniker The Blue Pages until they rebranded in 2012. A heavy touring schedule and follow up albums What We Live For in 2016, and last year’s Seasons continued to win the group fans for their eclectic, party-starting anthems.

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Review: Fenne Lily Builds on Indie Folk Debut with New Album Breach

by Joe Sharratt
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After dropping her debut album On Hold in 2018, Bristolian singer songwriter Fenne Lily toured Europe and spent time on the festival circuit, before holing up in Berlin to pen a follow up. That new record, Breach, is a deeply personal offering, much like her first, only this time there are a far wider range of elements under the microscope, which isn’t surprising. On Hold was written when Lily was just a teenager, while this record, in her own words, “is proof that I can be emotionally stable, even if right now I feel a little bit up and down”.

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