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Bastille’s latest single ‘survivin’’ is just mellow enough to charm your socks off. The band has gained a reputation in recent years for undertaking dramatic features, complete with soaring choruses, intense instrumental solos, and sweeping melodies. But their latest tune keeps the proceedings smooth, refreshing yet oddly impassioned.

There’s something immediately warm and nurturing with CMAT’s music - that much has been made evident with her two last songs. With her new single, I Wanna Be A Cowboy, Baby!, the feeling remains the same, even rather heightened. In fact, everything about this track feels like a step up from her previous work. From the melodies, to the overall feel of the tune, CMAT’s newest single paved her a bright future, if her other songs hadn’t already done that.

Bristol punk rockers IDLES had carved out a reputation as an acerbic and utterly compelling live act with support slots for the likes of the Foo Fighters and The Maccabees under their belts before their second album, 2018’s Joy As An Act Of Resistance, achieved the remarkable feat of cracking the top 5 of the UK’s album charts, transforming the band into Brit Award and Mercury Prize nominees almost overnight.

You’ll almost certainly know Matt Berry from his comedy. He’s widely known for his performances in a huge list of shows including The IT Crowd, Garth Marenghi’s Dark Place, and The Mighty Boosh, as well as for co-creating and starring in the acclaimed Channel 4 comedy Toast of London, for which he won the 2015 BAFTA Award for Best Male Performance in a Comedy Programme.

Indie-pop trio LANY were launched to fame when their self-titled debut album catapulted them into the public eye and launched their tours of America, Asia, Australia and Europe in 2017. Since then, the band have barely paused to breathe, following up their debut LP with Malibu Nights in 2018, building a social media following of nearly six million, selling over four hundred thousand gig tickets, and clocking up well over three billion streams.

Norwegian art-rockers Gazpacho are masters when it comes to crafting richly layered cinematic rock music, often built around dark and menacing themes. They’ve experimented with concept albums throughout their long career, most notably on 2011’s Missa Atropo and on their lost album Random Access Memory, but their music is always grounded in the deeply melodic. They are a truly fascinating band with an excellent reputation for their live shows, and have released three live LPs to date.

Canadian singer and songwriter Alex Frew made a lot of people sit up and take note with his debut single Get Out Alive, which was released earlier this year. That track was a smart, slickly produced pop number that framed his rich vocals with a slow beat and warm sound.

Critics of the pop-punk genre often (unfairly) point to the formulaic output of many of the scene’s bands, but that’s a criticism that could never be levelled at Knuckle Puck. The five-piece craft richly complex songs that manage to be at once immensely catchy, but also reward repeated listens by slowly unveiling the components that come together to create their tracks.

Canadian punk rockers PUP only dropped their third album Morbid Stuff last year, but already the frantic four-piece are back with a new single called Rot, taken from their upcoming new six-track EP This Place Sucks Ass, which is due out through Little Dipper/Rise on 23 October.

New York rockers American Authors burst into the mainstream more than half a decade ago with their hit singles Believer and Best Day Of My Life taken from their 2014 debut album Oh, What A Life. By that point though, the band had been together for almost a decade, having met while in college in Boston and played together under the moniker The Blue Pages until they rebranded in 2012. A heavy touring schedule and follow up albums What We Live For in 2016, and last year’s Seasons continued to win the group fans for their eclectic, party-starting anthems.

Neave Zaria is a 19 year old singer-songwriter from the UK who possesses a talent way beyond her years.

Mickael Marabou teams up with BM aka the King of Afrobeat Dance with a hot new Afrobeat jam called “Mamma”.

After dropping her debut album On Hold in 2018, Bristolian singer songwriter Fenne Lily toured Europe and spent time on the festival circuit, before holing up in Berlin to pen a follow up. That new record, Breach, is a deeply personal offering, much like her first, only this time there are a far wider range of elements under the microscope, which isn’t surprising. On Hold was written when Lily was just a teenager, while this record, in her own words, “is proof that I can be emotionally stable, even if right now I feel a little bit up and down”.

Justin Bieber’s latest single ‘Holy’ featuring Chance the Rapper is a sweet, serendipitous exploration of love at its most sacred and innocent.

Ali Gatie’s latest single ‘Welcome Back’ would have been a pleasing, catchy tune on its own but Alessia Cara’s inclusion takes it to the next level.

Astrid S’s new single ‘It’s Ok If You Forget Me’ functions as an adorable nostalgia piece that will transport you straight to the last 1990s.

Kygo once again travels back to the late seventies to seek inspiration for his latest mix ‘Hot Stuff.’

Townshend weaves a spellbinding tapestry of sounds in Carlo Hintermann’s directorial debut about hopes, dreams, and death.

Few bands remain as synonymous with their biggest hit as Semisonic, whose 1998 smash hit Closing Time has become the band’s legacy, the kind of signature track that has far outlasted the group itself. More than that, Closing Time has passed into wider popular culture, appearing in a wide variety of films and TV shows, and will probably remain on karaoke playlists for centuries to come. It’s not ridiculous to speculate that more people know that song than know who wrote it.

Doves were always a tricky band to place precisely within the UK’s early noughties musical landscape: Britpop without the youthful swagger of Oasis or Blur, psychedelic but without the menace of Primal Scream, soulful indie without the pop sensibilities of Embrace. Despite, or perhaps because of, their slightly indefinable qualities, they amassed a loyal following, releasing four studio albums between 2000 and 2009, two of which reached number one in the UK album charts.

At just 19 years of age, Caroline Romano has already achieved what most would dream of. From supporting artists such as Shawn Mendes and Kelsea Ballerini, to racking up millions of views/streams - the future looks bright for this Nashville based pop artist. Having recently shared a remix with R3HAB, we caught up with Caroline to ask some further questions.