Review: Tom Odell experiments on raw and honest new album Monsters

by Joe Sharratt
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Having carved his name into the list of the last decade’s biggest indie troubadours with his smash hit Another Love (520 million plays on Spotify and counting), a song that will play long into the night at weddings up and down the land for years to come, Chichester singer-songwriter Tom Odell could have ridden off into the sunset, his future and legacy secure, safe in the knowledge his music is loved by many.

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Review: Clairo focuses on family life on new album Sling

by Joe Sharratt
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Twenty-two-year-old singer songwriter Claire Cottrill – known better as Clairo – began posting her music online around six years ago, quickly winning fans with her unflinchingly honest and real stories. 2017’s lo-fi track Pretty Girl, and it’s accompanying homemade video, proved to be something of a breakthrough, wracking up close to 80 million views on YouTube to date, and leading to her penning a deal with Fader Label, who dropped her debut album Infinity in 2019 to widespread critical acclaim.

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Review: The Killers explore their roots with new album Pressure Machine

by Joe Sharratt
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If you were looking for a measure of quite how successful The Killers have been in the UK, how completely we’ve taken the Las Vegas outfit to our hearts, then the fact that Mr Brightside, their defining, signature hit, recently passed 280 weeks in the UK top 100 is it. By that metric, it is the most successful song ever released here, and it’s not even close – Chasing Cars by Snow Patrol, itself a chart behemoth, is it’s nearest rival with a paltry (by comparison) 166 weeks in the top 100.

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Jade Bird draws on Nashville experiences for new album

by Joe Sharratt
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Northumberland-born singer Jade Bird’s self-titled debut album was chock full of gorgeous acoustic guitar and Americana-influenced vocals and songwriting. It reached the top ten of the UK albums chart, and topped the UK Americana chart, making Bird a rising star in the field of contemporary country music. And so, when she decamped to New York and Nashville to work on a followup, it seemed likely that Bird would continue in a similar vein. After all, if it ain’t broke, don’t fix it. 

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Review: Jake Bugg goes pop on new album Saturday Night, Sunday Morning

by Joe Sharratt
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When the then seventeen-year-old Jake Bugg burst out of the Nottingham suburb of Clifton and onto the Glastonbury stage a decade ago, with his tales of teenage life told in his distinctive and entrancing drawl, he was an almost instant sensation. As the hype built and his songs filled the airwaves, he seemed to be on the verge of becoming the UK’s defining indie star of the decade, a new Gallagher brother for the Snapchat generation. 

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Review: The Alien Dream Theater

by Nicholas Gaudet
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The progressive rock gods are back with their first single, “The Alien”, from their upcoming album “A View from the Top of the World”, with a new heavier edge and clear progression from their latest effort “Distance Over Time”. 

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Review: Take My Breath The Weeknd

by Nicholas Gaudet
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All good artists evolve, and The Weeknd has shown in the last couple years that the sky truly is the limit when it comes to his musicality. In a continuation of the 80s inspired sound from After Hours, his newest single “Take My Breath” is a deeper exploration into the sounds that brought an entire generation to the dance floor every weekend.

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Review: Bored Matt Watson

by Nicholas Gaudet
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Sounding like a true and proper progression of “Ouch”, Matt Watson, shows his improvements in both his songwriting and production in his newest single, “Bored”, released with his first music video as a solo artist.

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