Jennifer Lopez has just released a new song titled 'Can't Get Enough.' This song is supposed to be from her upcoming studio album 'This Is Me… Now.' It has been about a decade since her last release, 'A.K.A,' in 2014. I guess artists kind of think differently when they release singles before their new projects. Some might pick the songs they want or believe will gain the most traction. Some might choose the song they feel represents the feeling of the album in the most coherent way. But whatever the case, I am curious to find out how J.Lo and her team has figured this one out.
Arianna releases new music for the first time in a long time. Most people believe this song will be a part of her upcoming seventh album, referred to as AG7. This is an upbeat, house-inspired banger with a positive message of self-empowerment. One thing that catches you off guard straight away is the choice of groove for Ari. This house thing is fairly new. I dig it.
KOBeats, the 17-year-old musical newcomer from Lancashire, UK, has just unleashed his debut EP, "Find the Light," featuring the resonant vocals of Kelsie McArdle and the dynamic rap of No_Peace. This marks KOBeats' inaugural release, leaving us intrigued about the enigmatic producer's identity.
Bring Me The Horizon releases a new song, “Kool-Aid.” I have to hand it to them. From the first second, the song sounds like how the cover art looks: artistic coherence, that is hard to come by. Another thing that is hard to come by is a band that manages to sound old and fresh at the same time.
Alan Walker, the EDM prodigy from England, releases another banger in conjunction with MER Recordings titled “Who I Am.” The track is a mix of dancehall with a little bit of trap drums, featuring catchy vocal lines and atmospheric string pads. Some EDM acts rode the wave of whatever trend was popular during their first come up. Alan Walker was one of those acts, along with people like Skrillex, who decisively carved out a path for their very own unique sound. He started, and many followed. His sound has certainly changed since super hits such as “Faded,” but the music is impressively fitting for 2024. The vocalists featured on this track are Putri Ariani and Peder Elias. Putri is heard singing with powerful anthemic female vocals, which blends very well with Peder Elias’s still anthemic but raspy voice. The melodic hook in this song is a blend between a voice synth and some other synth sound. The choice of notes gives the melody a bit of an oriental sound, which unsurprisingly fits very well into the whole mood of the song.
It was 1982; an unknown and blind composer named Pauline Anna Strom released her first album, “Trans-Millenia Consort.” The album cover featured a broken egg and a gray eye coming out of it, its expressionless gaze pointing directly at the viewer through a window made of the cosmos and two rainbows.
World's End Girlfriend is widely known for his long-format output, post-rock minimalism, impeccable production skills, and collaborations with prominent artists such as Mono, Palmless Prayer, and Mass Murder Refrain. With each album, their most loyal listeners anticipate a blend of ambient pieces, slowly evolving post-rock tracks, electronic music, and 19th-century classical influences. However, in this album, they surpassed expectations and delivered 32 tracks, totaling an extensive 2 hours and 25 minutes of listening material.
If we search in the history of western music, the middle ages and renaissance music puts a high emphasis and value in vocal music over anything else. The best way to spread the word of the lord in music was by the use of the human voice.
Welcoming the New Year with a fresh perspective and renewed optimism, Catherine McGrath introduces us to her latest musical endeavor, "Next New Year." At Music Talkers, our appreciation extends beyond the mainstream pop trends, embracing artists who carve unique paths without relying on million-dollar marketing campaigns. Catherine McGrath stands out as a rising talent, igniting her musical journey by sharing original compositions and popular covers on platforms like Youtube, all while drawing inspiration from her musically gifted parents and utilizing online video tutorials.
The California based metalcore band Atreyu releases a new full length record. “The Beautiful Dark Of Life” is a compilation of three EPs released in 2023: “The hope of a Spark,” “The Moment You Find Your Flame,” and “A Torch In the Dark.” The album has a mix of new and already released tracks. The lyrics cover topics like the trials and tribulations of modern life, love and more. We also see lyrics about self-doubt, hitting low points in life and similar things. The different emotions are portrayed in the clean/screaming vocals. Everyone listens differently to music. One thing that is very commendable about metal/metalcore (and a lot of its related genres) is that they are very openly discussing the negative things happening around them. This method is not for everyone but for those that think it is cathartic, how wonderful it is that it exists and that these artists continue to tug at heartstrings. In the context of the album these heavy themes are parts of the whole, and the whole is meant to empower or help people.
The vaccines are due to release an album on the 12th january titled Pick-up full of Pink Carnations. “Love to Walk Away” is their latest released cut from that same album. This song is a mix of punk, rock and pop. Making what the public ultimately calls indie rock. The release has two songs “Love to Walk Away” and “Lunar eclipse”. Both songs are full of energy, very danceable and therapeutic with catchy hooks. As long as there are new faces, this branch of indie rock will surely carry on. I ain’t complaining!
Following the release of her iconic album Pink Friday, Nicki Minaj just released Pink Friday 2. Since then, a lot of things have happened in rap, and Nicki herself is probably responsible for paving a path for a lot of it. This album has pretty much a similar sonic picture all the way through, but still features enough diversity in production to keep it interesting. We hear a lot of trap drums, 808s, old school vocal and string sampling techniques frequently used in hip hop. Moreover, some tracks are dancehall, some use distorted kick drums and some use low boomy drums ready for a club. All in all if you listen to this as an album from beginning to end, you might get sonically tired because even though we hear a lot of different tempos, instruments and artists, the sound picture is largely the same. Boomy drums, thin samples and upfront vocals. I think the album is meant to have standout bangers, just fitting hand in glove with how music is consumed less and less by the album and more by the single.
I've never been fond of using the term "New Age" when discussing music. Broadly speaking, "New age" is a term commonly employed to categorize those who colonize or attempt to rationalize areas of knowledge that aren't inherently colonial or scientific. A prominent example is Yoga.
Given our prior review of Marina Herlop's latest album, I'd like to take this opportunity to delve into Igloohost's newest single, featuring Marina as a collaborator. Igloohost mentions that he and Marina are long-time friends, and they collaborated remotely over the internet to construct these tracks. The sources of inspiration behind the music are intriguing, ranging from germs and microbes to illegal oil computers and mechanical systems.
Following the success of his 2016 album, “In My Mind,” BJ The Chicago Kid, or Bryan James Sledge, looks to take his sound in a new direction with his latest release, “Gravy.” The album was recorded in the legendary Royal Studios in Memphis, previously used by soul legend Al Green. Someone put a lot of thought into the structure of making this listenable as a whole album. The intro track really sounds like a proper introduction, and the outro really sounds like a breaking down of the musical elements to their absolute core, pulling further away from the audience while digging deeper into the influences of BJ the Chicago Kid. He mentions in the final acoustic track that “This song sounds like something my grandma would have liked to sing.” Personally, I love the tracks on the record, but the last song speaks to me in a special way.
Surprisingly, Lana Del Rey is sharing with us a one-off cover of John Denver's classic song "Take Me Home, Country Roads." The track features Lana’s impeccable vocals and a simple, reverberated piano. The song manages to hold momentum on its own despite being so simple, just because the musicians involved are so skilled. The track crescendos in a majestic choir section singing to the chorus. The original track by John Denver is country but still has a dreamy feeling to it. Lana’s cover manages to capture and even enhance that dreamy, longing feeling.
Sophie is an Indie Latin artist from the UK, and she just released a strong new ballad. Now the name might not ring a bell, but I’m hoping it will soon. When I heard this track first, I was a bit taken aback. I am a complete and absolute sucker for slow ballads of a certain type. This song fits that type, with a beautiful nylon string guitar and dreamy, Latin-inspired vocals. If you want another gorgeous nylon string guitar section, try listening to “Really Love” by D’angelo, which features Isaiah Sharkey’s playing. Anyway, I was fearful when I listened to this song for the first time because I liked the mood it set so much. I was waiting for it to drop the drums, be it a drill, trap, or dancehall beat. But that drop never came, and I couldn’t be happier for it. This track is a smacker. While you are in the zone, you can discover other similar tracks such as:
If I can find the words to fully describe Sven Wunder’s latest release, Ultramarine, I will be proud of myself. Even though I think an artist like Sven is happy not to be completely boxed up. Sven has a background in scoring for film, which can be heard. Sven released this song on his label, Piano Piano Records. He is very much part of the current vinyl movement, making most of his tracks into vinyl records. His father was a jazz drummer, and he grew up around that, which can be heard. He also has a deep appreciation for traditional sounds, implementing traditional instruments from all around the world into his music, which can be heard. He has previously released records influenced by different traditions. Eastern Flowers (traditional Turkish) and Wabi Sabi (Japanese jazz) are some of my favorites.
Taylor Swift released the song “You’re Losing Me” for the first time in 2022 as a CD exclusive and only to be purchased in-person at certain venues on her “the Eras Tour.” This sneak release, of course, added to the suspense for her superfans who knew that there was a new song finished just waiting to be heard. Now, the song can be heard on all streaming services as part of her latest string of “From the Vault” releases. The song was co-written and co-produced with her music mogul partner, Jack Antonoff. Along with working on other works by Taylor like “1989,” “Reputation,” and “Lover,” Jack Antonoff has also collaborated with Sia, Pink, Lana Del Rey, Lorde, Carly Rae Jepsen, and many more.
A special Bryan Adams box set is set to be released via BMG on Friday, December 8th. This set is put together from three very special nights in 2022 when Bryan Adams played at the iconic Royal Albert Hall. The set will be made available in CD, vinyl, digital, Blu-ray, also containing a photo book with unique images from the shows.
The next year is just two steps away, and I doubt I'll encounter another album in the remaining time that surprises and captivates me as much as Marina Herlop's new album. Undoubtedly, she ranks among the most talented "pop" singers and composers of the last decade.
Have you ever listened to a good '70s R&B or soul track and wondered, “Man, where did all the good times go?” I think Ari Lennox can show you where they went and also where they are going with her new release “Get Close.”
To celebrate the 20th anniversary of the iconic album Fallen, Evanescence is releasing a deluxe remastered edition of the entire album. Ted Jensen, who worked as a sound engineer on the original releases, also did the remastering. Now, I came into this review thinking I would have to plead with people hungry to revive their nostalgia to have a listen. I want to do that also, but it turns out Evanescence still has a very active crowd of 14.3 million monthly listeners (on Spotify only).
Dua Lipa releases a new upbeat pop banger with an honorable feature of Kevin Parker from Tame Impala, who produced the song. The lyrics of Houdini are quite simple and build on metaphors around the famous magician, with lyrics in the hook:
Celebrating the 10th-year anniversary of their album Random Access Memories, Daft Punk has released a deluxe version without drums. Many people find themselves asking for the purpose of this release. Some fan sentiments might sound like:
The Zac Brown Band is known for its blend of country, rock, and southern influences. With this release, they are showing how they have been paying homage to a broad range of popular songs and infusing some of their country-rock sound into each one. As the title suggests, the songs on this album were recorded during live shows.
Following the release of the melancholy rock hit “The Glass” by Foo Fighters in June 2023, H.E.R has released her cover version of the song in a single featuring both versions of the track. The lyrics of this song cover the topic of the loss of a loved one. The line “I was left to live without it” keeps repeating in the verses of the song. In the second verse, the “it” changes to “him,” making “I was left to live without him.” Most likely speaking about the loss of Taylor Hawkins, who was the drummer for Foo Fighters up until his early passing on March 25, 2022.
We have been blessed with a jazz album that I feel is a classic upon release. This is definitely one of those albums that, when I listen to it, I wish I had around when I was growing up. But right now will also do just fine.
Just a year has passed since the viral phenomenon of MOTOMAMI, an album released by the Catalan artist Rosalia. She was both praised and criticized for her conceptual album that defied everything we know about pop music. Now, she surprises us again by appearing in collaboration with the great Bjork, another groundbreaking musician who continually reinvents pop in multiple ways each year. This time, they are reviving a song that Bjork wrote around 1997, so the song carries many vibes and resemblances to 'Homogenic' and 'Vespertine.' One of the most satisfying resemblances for me is Bjork's signature way of creating counterpoints with highly reverberated voices.
Discovering this album was quite an unexpected journey. While browsing the internet for new music releases, I stumbled upon an announcement for a new album by Call Super. Initially, I mistakenly thought it was a new release by Supercell, the Japanese rock-pop band known for their cheesy, colorful music filled with rainbows, water pistols, and high school love stories. However, upon delving into the thread, I was met with something entirely different—an album filled with madness, schizophrenic euphoria, and unconventional orthogonal musical structures.
"Eulo Cramps" is a wild experimental album that incorporates improvisatory elements from jazz, daring rhythmic concepts derived from electronic music procedures, and captivating performances using interesting metal idiophone instruments. The album also features collaborations with amazing singers. To heighten the unconventional nature, it appears that the artist and composer behind the album utilized a DIY instrument and invention of his, called the “Eharp.”
The album has a metallic flavor into it, airs of silver and gold blowing in your face, caressing your hair with their cold and pointy melodies and rhythms.
The album opens with a musical piece featuring a harp and employs conventional rhythmic and timbral devices commonly found in electronic and experimental music. However, in the second song, “Fly Black Stork,” the album delves into its most abstract and rhythmic ideas. The energy persists in tracks 3 and 4, now with collaborations from singers like Eden Samara and Julia Holter.
As you dive deeper, it becomes increasingly easier to digest, introducing a diverse array of singers and even softer moments featuring sweet and mellow string instrument motifs (Listen to “Coppertone Elegy” and “Years in the Hospital”). In the final pieces, the inventive shifts from a rhythmic approach to wild melodic ideas (Check out: “Goldwood Feat Elke Wardla”).
For a psychedelic, meditative, rhythm-rich experience, I highly recommend giving this album a try.
Lucky Daye has been one of my favorite names to tell everybody I know about, so I am always delighted to hear a new release. Here are some sentiments I agree with following the release of his latest song "That’s You."
This suite from the ongoing Planet Earth III is very strong. It is an epic piece featuring soaring background choirs, strong majestic horns, clacky metallic percussion, decisive rhythmic patterns and a nice melodic path to follow with your ears. All in all it paints a lovely picture, even without the visuals.
PinkPantheress has turned her unique top-line vocal abilities into the foundation for a discography that I predict will leave a long lasting mark in music history.
When someone brings up the theme of "technology" or “innovation” what springs to mind? What did your imagination conjure when you read the title of the album I'm about to review? AI? Brain-controlled, keyboardless computers? Cars rocketed up to mars? If someone claims that Aesop's latest album offers “a compelling critique of consumerism and technocracy culture”, what do you picture? a new chapter of Black Mirror or a continuation of Brave New World?
I don't write about metal groups very often as I'm not a regular listener of the genre, and impressing me in that realm is a tough feat. Often, I encounter bands relying heavily on strong political messages and disturbing imagery in order to get visibility and attention from young listeners, yet with little investment in their musical craftsmanship to match that intensity.
I'll keep it fair in this review because I have to admit, my introduction to Wednesday Campanella came from Oorutaichi's cover of their song “Sand Castle.” Both versions of “Sand Castle” rank high in my all-time favorite songs collection. When I stumbled upon that track, I explored other tunes from the same album “Galapagos” and got hooked on their super creative take on pop. Songs like “Picasso”, “The Bamboo Princess” and “Melos” bring in the usual pop language, orchestral tricks, and bits from the electronic music scene. But here's the kicker—they throw in these intricate and interesting polyphonic melodic ideas, superb production, and a balanced blend of traditional Japanese instruments with synthesizers and EDM-like sounds, making it all sound unique.
Something utterly unexpected has just occurred: André 300, the beloved rap legend from the Outkast duo, finally released a solo album yesterday, after more than seventeen years. What's even more surprising is that the album is anything but rap.
As we draw the curtains on this year, we're immersed in an array of enthralling collaborations. This time, the spotlight shines on the EP “I Left My Heart in Ladera,” which was released by the American artists Martin Terrace and Alex Isley. These two artists have a long and interesting collaboration history but this release also benefits from the support of the multi-award-winning producer, composer, and arranger Robert Klasper.
With the release of his latest single, we are getting a new glimpse of the upcoming fourth volume of Jacob's “Djesse”' slated for release next February.
You read that title right, folks. British new wavers Duran Duran have broken their mould and gone in a completely different direction on their latest album. We have grown used to them being quirky, but we have never seen them go goth before. And that is exactly what they have done.
On October 6th, Sufjan Stevens released his 9th studio album entitled, Javelin. This album is dedicated to his late partner and best friend, Evans Richardson. Though the album is filled to the brim with themes of grief and loss, the song that most directly discusses Stevens’ experience with it, is the album’s intro, “Goodbye Evergreen”.
American alternative rock trio Dogstar are back and have just released their first album in 23 years. Their third studio album, “Somewhere Between the Powerlines and Palm Trees,” features 12 brand new tracks, and the moment you start listening, you realise just how much we have all missed them.
Ed Sheeran is not just multi-talented; he is also one of the hardest-working musicians around today. After releasing his last album, “Subtract,” he is back a mere four months later, gifting us with another release.
The last few years have brought legions of well-warranted success to alternative pop artists, Jean Dawson and SZA. They each have released albums that have been successful both critically and commercially. One thing I didn’t expect to see, however, was these two artists converging so directly. One of my favorite surprises of this week’s catalog of music was a stunning collaboration between the two visionary artists. The song is titled, “NO SZNS” and it is genuinely astonishing, artful, creative, and innovative.
Shallow Alcove is a band from New York, fronted by Grace Krichbaum and Dan Harris. Last week, they released a 3 song pack, leading off with the single, “Dream Song”. It’s been a long time since I’ve been so immediately infatuated with a song, particularly from a band or artist that I had never heard of before. This song is genuinely beautiful, from its lyrical content to its soundscape. It’s musically sweet, emotionally rich, and profoundly well-written.
Once by the former stage name, “Theodore Sinks”, Teddy Swims has released his debut album, I’ve Tried Everything But Therapy (Part 1). It’s an intriguing album based on its title alone. It’s both a captivating image and an implication of at least one other iteration of this story. Teddy Swims is someone I find interesting because of his many complexities. His music consistently features genre fusion between R&B, country, pop, hip-hop and more. Such would come as no surprise given the overlap of interests Swims had growing up. He was a football player from a sports-oriented family who fell in love with performing on stage. His musical roots led to making viral covers on YouTube which eventually brought him here, to his debut solo album. Aside from the album title and the prominent lead singles, Teddy Swims further captivates his potential audience right from the first song, “Some Things I’ll Never Know”.
Yesterday was an exciting day for Hip-Hop fans. I was ecstatic to see the catalog of music released by artists I adore, such as Killer Mike, Nas, Denzel Curry, etc. Among the list of stellar Hip-Hop music that came out today was the release of VIC MENSA’s Victor. I’ve been a fan of VIC since his 2017 album, The Autobiography, and I have anticipated this album’s release since I reviewed his single, “Blue Eyes”. When looking at the tracklist last night at midnight, my eyes were immediately thrilled by the tenth track, “$outhside Story”. What excited me most about this song was seeing that fellow Chicago native, Common, was the featured artist. Common is one of my favorite voices in Hip-Hop with his poetic diction and influence on Jazz-Hop. He has multiple classics under his belt and continues to entertain, whether acting in films or releasing music that unifies. Chicago is one of the loudest cities in the world regarding prominent voices in Hip-Hop. Kanye West, Common, Chance The Rapper, Saba, Mick Jenkins, VIC MENSA; the list is seemingly infinite. Chicago rappers tend to flock together both physically and stylistically. They influence each other, and wear their city on their chest in a way other cities have yet to match. Such a cultural dynamic results in an invisible bond that tethers these artists together and constantly pushes the music forward. “$outhside Story” is a wonderful display of Chicago’s talent.
Del Water Gap is a solo project by the songwriter S. Holden Jaffe. He’s from Brooklyn, NY. This past week he released the next single from his upcoming album, I Miss You Already + I Haven’t Left Yet. The new song is called “Quilt of Steam”. It’s every bit as well-written as it is dreamy. Del Water Gap takes a moment to live in the mundane, finding poetry in the inner functions of everyday life. Del Water Gap stated, “the song is about coming off tour, feeling scrambled as hell, and trying to find some balance and stillness in the midst of all that. It’s about waking up in your own bed for the first time in months and noticing the little details you hadn’t had the capacity to let in while everything was moving around you.” Due to a sense of whiplash, a break from chaos can be just as jarring as being subject to it. Though not exclusive to the pace of tour life, the only thing that’s truly permanent in life is impermanence. While rapid change is disturbing, it is human nature to get used to what is consistent and when that thing changes, the soul is left looking for something familiar to cling to. “Quilt of Steam” is a thought-provoking perspective on this experience.
American singer-songwriter and High School Musical star, Olivia Rodrigo, has blessed us all with the release of her second studio album. “GUTS” is fierce and brave, while also staying playful and fun, feeling like the perfect complement to Rodrigo’s personality.
Eric Nam is a Korean-American singer born and raised in Atlanta, Georgia. This past Friday, he released his 8-song album, House on a Hill. It’s as short and sweet as you’d expect given its single digit tracklisting. In an interview with Vogue, Eric described the album as “an existential crisis, kind of an introspective period where I [had] wanted to get this house on a hill. It made me start to question what is it that makes me really happy? What’s the reason for me wanting to own a house? Is it status, is it happiness? Is it a sense of stability of something that’s mine?” Though the album is an introspective journey exploring themes of materialism, identity, and perseverance, I really enjoy the love song, “Only for a Moment”. It’s an important cut in the tracklist because it highlights the moment in which the speaker first sees a future with someone else. In the metaphorical image of a “house on a hill,” a family tends to be part of that idea. This song notes the moment the speaker finds the person they want to settle down and build that future with.
Normally, I’d open one of my reviews with a brief introduction to the artist. While I still intend to do that, there’s one thing I must say and highlight: “Essence” has possibly one of my favorite hooks I’ve ever heard. I can’t stop listening to this song and even when I’m not actively listening to it, it’s like I still am because the hook is an eternal echo, haunting my ears and bouncing around my mind. As dramatic as that sounds, it’s accurate. Trying to type this is difficult because I have the vibrant bassline and memorable melodies permeating my thoughts and clouding my ability to write.
Greek power metal legends Firewind have exploded back onto the scene with a stunning new live album, “Still Raging.” The release celebrates the band’s official 20th anniversary, recorded at Principal Club Theatre in Greece in 2022.
Though piles of great music has been released this past Friday, I would feel remiss if I hadn’t talked about hemlocke springs’ “enknee1” from last week. In the seemingly infinite pool of music that was released on August 21st, this track stuck out like a sore thumb, in all the best ways. Every inch of its architecture, every detail of its design screams distinction. From the cover art, the song title, the production, the relative lack of information behind the artist, as well as her voice and delivery, are all unorthodox in their nature. “enknee1” (pronounced ‘anyone’) is hemlocke springs’ fourth single of 2023 and only her sixth song ever released on streaming! “enknee1” is the final single leading up to her debut EP, going…going…GONE!. After garnering a sizable following on TikTok with the songs “gimme all ur luv” and “girlfriend”, hemlocke has continued releasing extremely unique, yet immensely accessible songs. “enknee1” is likely my favorite of the bunch.
Ashley Kutcher is a Pop singer based in New York, who was born and raised in Baltimore, Maryland. Last Friday, she released a sentimental and emotionally compelling song entitled, “Matchbox”. Carried by somber and passionate acoustic guitars, Ashley offers an immensely vulnerable and authentic account of a relationship between two partners. They vastly contrast each other, yet fulfill the other’s missing pieces.
Sid Sriram is an Indian Carnatic musician raised in America. His music career has global and international roots. For those like myself who might be unfamiliar with Carnatic music, it is a subgenre of classical Indian music that evolved from Hindu text and tradition. It is commonly regionally associated with South India. Sid Sriram was born in Chennai, the capital city of Tamil Nadu. His family moved to California when he was one and his Carnatic music teacher mother raised him on the music. Sid eventually found interest in and became a songwriter for both Carnatic music and R&B. This past Friday he released Sidharth, a 13 song album featuring a special song entitled, “Quiet Storm”.
Conan Gray is an American singer and songwriter well known for songs like “Maniac” and “Heather” from his 2020 release, Kid Krow. This past Friday, he released a new single titled, “Winner”. Though he has billions of streams and over 20 million monthly listeners, this song is my first introduction to Conan Gray. Being that his music is completely foreign to me, the fact that I was immediately immersed and captivated by the track goes to show how powerful it is.
Ahead of the release of his second studio album, VICTOR, Chicago rapper VIC MENSA dropped his newest single, “Blue Eyes” this past Friday. Produced by Bongo, this track runs at just under three minutes and utilizes inspiring guitar riffs, an angelic choir, and powerful storytelling from VIC MENSA.
Last Friday saw the release of Jon Batiste’s new album, World Music Radio, and on it was a New Orleans anthem entitled, “Uneasy” featuring Hip-Hop legend and fellow Louisiana native, Lil Wayne. Jon Batiste is a music titan of his own, having worked with Stevie Wonder, Prince, Trent Reznor, Lenny Kravitz, and Ed Sheeran, and not to mention his several Grammys, Academy Awards, etc. The all-star list doesn’t end there, with production credits from Pop music mainstay, Jon Bellion, who not only has a growing list of his own hit songs, but has written and produced hits for Maroon 5, Halsey, Eminem, Rihanna, etc. With such a stellar cast of musical prowess, it only makes rational sense that these gentlemen would craft a masterpiece of a song. “Uneasy” can only be described as such.
Last week, the rapper, singer, producer extraordinaire, Russ, released his fifth studio album entitled SANTIAGO. Described in a hand-written note ahead of this album’s release, Russ pens the album as a “journey to self love + self mastery,” then goes on to list some of the recurring obstacles he’s faced, not only in the last few years, but lifelong turmoil that he’s chosen to face head on. SANTIAGO runs at a solid 41 minutes and is a remarkably easy listen. Such an admirable characteristic is likely due to the seamless transitions between every track and the accessible nature of the music itself. This is perhaps Russ at his most honest and vulnerable. With a tracklist full of notable songs, the most streamed track thus far is the song, “No More”.
Hozier is an Irish musician who needs little introduction. He is a phenomenal song-writer, hit maker, and has a decade of music under his belt. This past Friday, he released his third studio album, Unreal Unearth. Amongst the highlights for me is a song called, “Damage Gets Done” featuring the 9x Grammy Award-winning singer-songwriter, Brandi Carlile.
Has the taste and smell of a particular home cooked meal instantly transported you to a different time and place? Has one bite of an unsuspecting dish, shockingly revived a memory you had no idea you could still feel and touch? The force of nostalgia is unwavering and powerful. One whiff can immediately and immensely immerse you in a memory, a feeling, or a faint image of the past. The processes that occur when neurons fire are unfathomably complex, yet emphatically simple. It’s about the way that a pasta dish from a hole in the wall, mom and pop shop could bring you right back to being a kid with freshly scraped knees and a dirty Yankees shirt with a fresh plate of pasta, cooked by your mother, in front of you. This experience is difficult to articulate, but it's one that we’re all familiar with in some shape or form. It’s one of the many gifts of multi-sensory memories. For me, the most potent way to experience this phenomenon is through well-crafted music. Saturday Night Gym Club’s The Distance is just that. The soundscape that this album inhabits is like a tangible bridge to both nostalgic memories of my childhood and the memories of which I have yet to experience. The latter, being a truly mysterious phenomenon I have yet to derive meaning and or an explanation out of. The Distance in many ways, is a sonic portal, a time capsule, that upon opening it and immersing oneself in it, they are likely to be taken to another realm. As flowery as that sounds, it is an accurate description of the experience. Even the most untrained ear can recognize the amount of hours and effort that was spent, in attempts to tailor this album to each listener’s brain networks in a way that would fire synapses and carry them ‘the distance.’ Regarding an untrained ear, I am just that in this scenario. Electronic/Dance music is not a pocket of music that I am familiar with. Yet, this album works all the same. From the opening track, “U.V. Smile”, the album’s synths scratch a certain part of my brain, embellishing a classic 80s Sci-Fi movie. It gives me a world to live in that I don’t want to leave. Thankfully, this atmospheric energy is built into the very sonic foundation of The Distance.
Hailing from Seattle with Japanese roots and musical prowess, UMI has released a new single entitled, “happy im”. I was digging into the depths of newly released music and felt like I was wandering hopelessly. I went from song to song, listening to each multiple times without getting an ounce of motivation to write about any of them. That all changed when UMI’s “happy im” entered the rotation. My ears were immediately captured when the layered acoustic guitars and lo-fi drums seemed to pour out of my speakers. I leaned forward in my chair, beyond intrigued. If nothing else, I knew this song had stellar production. And then UMI started her first verse. With a bright and warm voice with such a soothing timbre, UMI sings about the distinction between running from and accepting love. The moment you make the choice to stop running and allow yourself to be happy. In an interview with Numero, UMI described this type of love and happiness as, “the type that can be felt in many ways; love for a dream, family, career, a place, or a person. I wrote this song to remind myself, and those who listen, that it’s okay to be happy.”
LANY's latest track, "XXL-," delivers a delightful blend of wistful melancholia and heartwarming memories that instantly wraps you in a cool, indie pop embrace. The song opens with a guitar intro that chimes like distant bells, setting the perfect atmosphere for the emotional journey that's about to unfold.
Let me lay it down for you. "STRINGS" by MAX featuring JVKE and Bazzi is like this sweet musical mashup that's breaking all the rules and leaving us all in awe.
Founded in 2013, Jungle is a British Electronic group, started by producers, Josh Lloyd-Watson and Tom McFarland. This past Friday they released their fourth studio album, Volcano. The album’s outro, “Pretty Little Thing” features Dreamville signee (J. Cole’s music label), Bas. Uncredited and pitched-up vocals from Lydia Kitto are also provided for the hook of the song.
Emotional Oranges is a duo that formed in 2017 between the members, V and A. Given that V was a vocal coach for Adele, and A was an audio engineer for Drake, one can expect an immense display of musical talent when the two join forces. V and A have expressed the desire to live normal lives, given the pseudonyms they release music under. For a while there, their real names and faces were largely unknown, but now that they’ve toured the world and grown to be quite successful, their identities have become public. This past Friday saw the release of their new album, STILL EMO. At just 8 tracks, all but 3 were released as singles ahead of time. Such a marketing run is no doubt an experiment motivated by our single-based industry. Among the 3 songs that were collected in the official project, the outro, “Better Apart” is a psychedelic gem.
Viral TikTok sensation, Stephen Sanchez has dominated the internet over the last few months. His breakout 2021 single, “Until I Found You” is a song you can neither deny, nor hide from. Fast forward to now, Stephen seems to be working towards his first full length LP since his 2022 release, Easy On My Eyes. For this upcoming album, titled Angel Face (a title shared by a 1953 American noir film), Stephen has built a time machine for his listeners. Under the guise of an early 1960’s Pop Rock album, Stephen is telling a story of two fictional characters, ‘The Troubadour Sanchez’ and Evangeline. Based on the singles, cover art, and marketing, Stephen is borrowing the aesthetics from one of the greatest eras of music. That era being, late 50’s and early 60’s Pop Rock, be it Elvis Presely or The Beatles. The album art depicts the story’s two main characters. The framing, colors, even down to the text fonts used, reflect all the traits of a classic black-and-white romance film, or a dusty record you might find in your grandmother’s old vinyl collection in the attic. This past week, Stephen Sanchez released the third single for this upcoming time capsule of an album, “Be More”.
Jorja Smith is a name that has swirled around my corner of music for quite some time now. Having been featured on numerous A-List Hip-Hop albums (Drake’s More Life and Kendrick Lamar’s Black Panther The Album) as well as having consistent fan overlap with Hip-Hop in general, the English R&B artist has been hard to miss. Though I haven’t dug deep into her catalog yet, I’ve never felt more motivated to do so. Last week saw the release of “GO GO GO”, a single from her upcoming album, falling or flying. It is… powerful, to say the least.
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