Editors' Picks

Sung like a somber lullaby, Greta Svabo Bech’s newest single, Breathe, has all the dark themes of certain branches of neo-classical all toppled with an indie feel. The combination of those elements makes for an absolutely beautiful piece of art to be remembered for generations.

In an amazing blend of indie pop and jazz, Thomas Headon and Lizzy McAlpine have put their minds together to make an eccentric and interesting single titled Bored that would even color Jacob Collier impressed.

In an electric and exciting new single, Suburban Symphony delivers some of the most exciting melodies of the year with School Gate.

UK-based solo artist One Cure For Man, also known as James Parkinson, has gifted us with another incredible single. “Everything (Promise Me)” is a powerful, catchy, and toe tapping thrill ride from start to finish. I defy anyone not to bop their head along to this one, the beats provided by Parkinson’s brother Ben on drums are impeccable and provide the perfect backbone for the stunning track.

Anna Leone delivers arguably one of the most soulful folk ballads in years, both invoking feelings and emotions of old and new, in one carefully crafted song titled Still I Wait.

Both subtly and intensely, Cian Ducrot has just released one of the most powerful ballads of recent times with Crocodiles.

Do you need to get cheered up for that exam you have going up? Do you need to get pumped up for that gym session you’ve been dreading today? Do you need to make your daily run ten minutes faster than you normally achieve? Take out your phone, load up Louis and the Shakes’ newest single, How Badly Do You Want It, and let the magic of the tune do the rest.

Adapting the classic sounds of pop-punk and adapting it to modern standards, BLOXX does a wonderful job capturing the fun of guitar-driven songs in their newest single, Everything I’ve Ever Learned.

English singer-songwriter Ben Howard’s three previous albums all have a different feel to them. The folk artist made his debut in 2011 with Every Kingdom, his most instantly gratifying album, and followed it up with I Forget Where We Were, a more complex record that rewarded listeners’ efforts and remains to many his best collection. 2018’s Noonday Dream was darker in feel, and marked a change in tone for Howard, but was no less excellent. 

Lana Del Rey is an intriguing star. In so many ways, she’s one of the biggest singers and musicians around, a performer at the absolute peak of her creative powers. And in other ways, she seems to very deliberately eschew exactly the sort of fame and status this would otherwise bring her.

Discounting 2017’s Synthesis, which was a collection of existing tracks reworked to add orchestral and electronic elements and featured just two new songs, The Bitter Truth marks Evanescence’s first proper studio album in a decade. That’s a long time for fans to have waited to hear more from lead singer Amy Lee and co.

Two years ago, Taylor Swift’s very public battle with Scooter Braun over the rights to her back catalogue was huge news. “This was my worst case scenario” Swift wrote at the time in an emotional Tumblr post that blew up, and while the legal wrangling left Swift and her fans in an unfortunate position, many would argue she had the last laugh when she announced her decision to re-record her old music.

There comes a point, about half way through Justin Bieber’s sixth studio album Justice, where you might wonder what’s happening here. And strangely, it comes on the song that isn’t a song, MLK Interlude, which is instead an excerpt from a 1967 sermon given by Martin Luter King. “You died when you refused to stand up for right. You died when you refused to stand up for truth. You died when you refused to stand up for justice.” It’s incredibly powerful, but what’s it doing here, on an album from a pop star whose last album Changes was preceded by the single Yummy? A song so shallow it’s chorus went “Yeah, you got that yummy-yum / That yummy-yum, that yummy-yummy.”

In what might be one of the most driving and epic song of the year so far, Delta Goodrem delivers a fantastic western-infused showtune folk song that’s filled with excitement and eccentricity with her new single, Billionaire.

Brighton outfit Black Honey’s self-titled debut album was a glorious mixture of attitude and swagger, a indie punk whirlwind that evoked the likes of Elastica and Garbage and crashed into the top 40 UK albums chart. It teed them up for a frenzy of tour dates, an NME front cover appearance, and festival slots right the way across Europe. The departure of founding band member and drummer Tom Dewhurst at the end of 2019 might have derailed lesser bands, but Black Honey focused on completing their new record, Written & Directed, which landed this week.

Ringo Starr needs no preamble. As one quarter of the biggest band of all time, the man has seen it all and done it all and has nothing left to prove. Nor would he even want to – part of Starr’s enduring charm has always been his everydayness, content with his reputation as the definitive nice man of music. Now at the ripe old age of eighty and with the country still in lockdown, you’d imagine Starr was happy just to put his feet up. Not a bit of it. 

Amy Shark’s new single is a blend of what makes both alternative and indie so great in one fine package that drives a beat forward from the moment it starts to when it ends.

In a very odd blend of folk and EDM, Lost Frequencies have managed to make an unusual gem that will both make you raise your brow, and nod your head all the same.

Welsh-born multi-instrumentalist, songwriter, producer and author Catherine Anne Davies – otherwise known as the Anchoress – isn’t your normal pop star. A published writer with a PhD in literature and queer theory from University College London, she creates terrifyingly intense songs that often document heartbreaking pain. Tragically, much of this pain is told from personal experience, the last few years having brought the death of her father, a cancer diagnosis and treatment, and the loss of several pregnancies.

The multi-talented Jacob Banks moved to the UK from his native Nigeria when he was just thirteen years old, and with a creative streak that took in singing and playing guitar, he started writing songs of his own at the age of twenty. He plied his trade on the open mic night circuit around his hometown of Birmingham, where he quickly attracted attention for his powerful vocals and intimate songwriting, which fuses elements of soul, African music and synths to create a rich and unique sound.

Arguably one of the greatest album openers, and in consequence one of the greatest singles of all time, has been remixed in 2021 mixed in with whole new elements, as well as speeches from the civil rights icon MLK in what makes one of the most electrifying remixes of all time.

In one of the uncanniest collaborations of ideas and artists, Sting has returned with a new single, My Funny Valentine, embracing music of old along with one of the greatest forces in jazz and music as a whole.

Nearly forty-three years after the original release of the disco single I’m Every Woman, Chaka Khan, the original signer for the track, alongside Idina Menzel got together to re-record the classic hit, bringing modern life into one of the greatest tracks of the seventies.

Bedford-born singer-songwriter Tom Grennan took the name of his second album Evering Road from a street he used to live on with his ex-girlfriend. And his origin story is an interesting one too – Grennan trained to become a professional footballer but was released, finding work instead at a Costa Coffee. At the age of 18, he was attacked in the street leaving him with metal plates and screws in his jaw. He got into music, apparently, after friends were impressed by his impromptu singing at a party, and pushed him into pursuing it further.

When it comes to feel-good music, there is very few songs that come quite as good as Japanese Breakfast’s newest single, Be Sweet. 

Nick Jonas found fame as one third of the Jonas Brothers, the American pop rockers who emerged from their Disney Channel beginnings into one of the biggest boy bands of the late 2000s. Unlike many of his contemporaries though, Jonas managed to carve out a successful solo career once his group had split, with the singles Chains, Jealous, Close and Bacon in particular showing that he was capable of varied, contemporary pop classics with his distinctive high-pitched vocals.

BRIT-award-winning singer and songwriter Tom Odell’s new single Monster v.1 drops this week, complete with a video directed by George Somverville and Odell himself. The track is taken from Odell’s upcoming new album Monsters, his fourth studio LP which is due for release this summer. 

The dynamic duo is out and about again, just a week after their debut single, with another offering. This time, weirdly enough, they decided to release what is most likely the intro to their upcoming album, and despite only being a minute in length, there’s still plenty to unpack in this tune.

When lockdown first started a year or so ago, many of us made our peace with it by turning to that lengthy to-do list. ‘What a great opportunity to catch up on some jobs’, we thought. ‘Or perhaps I’ll learn a new skill’, we kidded ourselves. ‘I know, I’ll learn Japanese, and the piano’, we outright lied, as we locked the front door, kicked back on the sofa, and lined up yet another box set marathon. 

It's been sixteen years since Glasgow duo Arab Strap last released an album, and with it announced their split after a decade of subverting the airwaves with their gritty and sometimes absurd tales. In many ways, they paved the way for acts like Sleaford Mods to take their work to the mainstream, and in this post-truth, pandemic-ridden time, it feels like a new Arab Strap album would land perfectly.

Irish singer, songwriter and multi-instrumentalist Imelda May has teamed up with none other than Ronnie Wood for her new track Made To Love, a joyous song about love in all its guises taken from her upcoming new album 11 Past The Hour, which is due for release via Decca Records on 16 April, a week earlier than originally scheduled. 

Guillemots frontman Fyfe Dangerfield released his first (and so far, only) solo album Fly Yellow Moon back in 2010, while his band were still in their heyday. It’s easy to forget how big Guillemots were for a while, their debut album Through The Windowpane was nominated for the 2006 Mercury Music Prize (though it was beaten by the Arctic Monkeys’ Whatever People Say I Am, That’s What I’m Not), and their dreamy hits like Get Over It and Made-Up Love Song #43 resonated within the indie scene at the time.

If you were to pick four or so genres of music and jumble all of them in some musical blender and pour yourself a song from the blend, you’d come close to something akin to Serotonin by Girl in Red, and you bet that you’ll do your best remembering that recipe.

As part of their newest EP release, Evanescence is back with one of their heaviest singles, Better Without You.

The unexpected supergroup delivered the first single on Friday March 5th, and to say they blew us all away is a massive understatement.