Australian newcomers The Lazy Eyes serve up psychedelic new single Where’s My Brain???

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Hailing from the quiet Sydney suburb of Lindfield in the land down under, psychedelic indie rock troubadours The Lazy Eyes have been turning heads in their homeland, and winning over fans and critics alike with their spacey live shows and their intricate, layered tracks, despite the fact that all four of them are still in their teenage years.

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Review: Get High Chet Faker

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It takes a lot of guts to blend the old and the new when it comes to producing a song – on one end, you’re limited by used ideas, and on the other you’re seeking innovation. But every now and then, you have artists like Chet Faker that come around with a song such as Get High, that perfectly blends the two ideologies together in one sweet musical smoothie.

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Review: Tweety Raveena

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Raveena is the perfect mix of pop, jazz, and hip hop, and always has been. Tweety, her newest single, is a wonderful continuation of that sound, heading in all those directions more so than ever before. The song opens in a beautiful major-sounding progression, filled with other jazz treasures and classic chord progressions, all finished with the lustrous sounds of a Fender Rhodes.

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Foo Fighters Celebrate Their Status as Rock Royalty with Party Album Medicine At Midnight

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There’s no disputing that Foo Fighters are one of, if not, the biggest bands in the world these days. From their beginnings as a side project of the former Nirvana drummer, Dave Grohl has steered the good ship Foo Fighters into the rich and deep waters of astounding commercial success. And their new offering – Medicine At Midnight – is certainly an economical record, coming in at a very streamlined nine tracks.

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Norii Investigates The Fish-Out-Of-Water Experience In New Single ‘Exocoetidae’

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Norii’s single ‘Exocoetidae’ is a dreamy, starry-eyed adventure through time and space that fully captures the wonder of a curious artist. The San Diego-based singer and songwriter thoughtfully leans into her mythical interests and has crafted an intricate and impassioned melody, complete with electrifying production and stellar vocal work. At first listen, Norii’s soft, stirring vocal stylings would immediately draw comparisons to Ariana Grande, but upon further exploration, you’d realize that Norii has carved out her own spectacular niche with her fairytale-woven themes, a far cry from the hits populating the top 40 in contemporary music. 

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Tones and I’s ‘Fly Away’ Gets An Electrifying Remix By Jonas Blue

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Tones and I’s collaboration with Jonas Blue on a remix of ‘Fly Away’ is an infectious, impassioned track headed straight for the dance floor. The Australian singer-songwriter has been flying high for the past two years or so since her international hit ‘Dance For Me.’ She’s been following up on her breakout success by delving inwards and crafting pieces that represent the full range of vocal and songwriting talents. ‘Fly Away’ was one such ballad that touched upon the electronic dance pulse but also incorporated some lovely gospel magic. 

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Review: Collapsed In Sunbeams ushers in the era of Arlo Parks

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We’ve been big fans of Arlo Parks and her delicate, soft-pop sound for some time now, and we’re not alone: the Londoner has already appeared on the front cover of NME and been named BBC Introducing Artist Of The Year. Oh, and did we mention Michelle Obama is a fan? Not bad support for a singer and songwriter who, until last week, was yet to drop her first album.

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The Weather Station release expansive and insightful new album 'Ignorance'

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Canadian folk outfit The Weather Station have evolved over the years from the solo recordings of frontwoman Tamara Lindeman to the full band outfit they are today, a lineup that now includes two drummers and a saxophonist, as well a string section, synths and clarinet. However, one constant since their debut album The Line was released back in 2009 has been the quality of Lindeman’s songwriting, and on Ignorance, their fifth full-length studio offering, it’s that that remains central to all they do well.

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Goat Girl’s second album On All Fours builds on their thrilling debut

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London post-punk four-piece Goat Girl were regulars at Brixton’s The Windmill in their early days, gigging alongside acts like Fat White Family and Shame and carving out a name for themselves as proponents of edgy, enticing and dangerous music that didn’t pull any punches. Two days after the UK’s Brexit referendum, they signed a deal with Rough Trade, unleashed a flurry of singles, and the hype began to grow.

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Review: Walk Above the City (feat. MARO) The Paper Kites

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There are very few voices in folk and jazz that sound quite as soulful as MARO’s. Her breathy tone will smooth the roughest stones, and calm the anxious with a simple melody. When her voice introduced itself amidst a low four-count bass drum coupled with small, low-maintenance guitar strums, my lips curled gently in a smile. The band and MARO make beautiful harmonies, even when those are just an octave apart. Every moment of this song feels right.

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Delilah Montagu’s New EP This Is Not A Love Song Dives into the Pain of a Breakup

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Born in Hampshire, but now based in London, twenty-two-year-old singer-songwriter Delilah Montagu dazzled with her In Gold EP in 2019, earning a multitude of rave reviews and mountains of online streams. A collaboration with David Guetta and Black Coffee (Drive) only added to her momentum, and she’s been roundly tipped for breakthrough success in 2021 by the likes of The Line of Best Fit, Notion and Clash.

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Review: And The Beat Goes On The Motet

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Funk is a genre that’s never truly died, though definitely not as prominent in the mainstream as it used to be. Rather, its manifested itself in various shapes, either through disco, or the rise of dance-pop in the mid 2010’s, but regardless its essence has remained in music since its inception in the early 60’s.

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Review: Bring Me Back My Smile Daniel Donskoy

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Trends in music are inevitable; musical fashion makes its rounds all year long, and artists all across the globe are going to try to capitalize on what’s trending. In the last few years, there’s been a sudden uproar in jazz, mostly found in lo-fi hip-hop and neo-soul. The latter has especially found a home in popular R&B, but has slowly died down in the last months. So, when I heard the beautiful extended chords played by a luscious Stratocaster that opens up Bring Me Back My Smile, I couldn’t help but to feel hopeful in neo-soul’s life in pop music.

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Review: Sorry Alan Walker (feat. ISAK)

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When it comes to EDM, there are very few artists that can come to the kind of standard Alan Walker has established for himself. He always manages to find ways to both keep him within the confines of the genres, but also imploding within it and breaking boundaries left and right. With his newest song, Sorry, featuring the talents of ISAK on vocals, the producer not only meets the expectations one might have from an Alan Walker track, but propels those further on to the stratosphere.

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Rob Zombie’s “The Eternal Struggles of the Howling Man”

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Musician, filmmaker, and master of the macabre, Rob Zombie, has gifted us all with another taste of his forthcoming studio album, “The Lunar Injection Kool Aid Eclipse Conspiracy.” The second single to drop, “The Eternal Struggles of the Howling Man,” has everything we have come to know and love from Zombie and more. That dark, groovy vibe that seems to pervade all his music is keenly felt here, with lyrics that wow and give you that real horror movie feel.

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Rhye continue to evolve with ambitious new album Home

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Rhye aren’t a band with a straightforward origin story. Their debut 2013 album Woman was years in the making and was released with the identities of its creators unknown. Only later were they revealed to be Canadian singer and performer Mike Milosh and Dutch multi-instrumentalist Robin Hannibal. From these secretive beginnings, the band have evolved into a freeform musical collective revolving around Milosh following the departure of Hannibal in 2017.

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Maggie Lindemann cements her place as alt pop star with new EP Paranoia

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American singer-songwriter Maggie Lindemann specialises in skillfully riding the fine line between pop and rock, bringing the best of both worlds into an engaging, entertaining and highly marketable mix of music and performance. Having released a string of singles since her breakthrough effort Knocking On Your Heart in 2015, including the UK top ten hit Pretty Girl in 2016, Lindemann is now back with her first-ever EP, titled Paranoia.

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Jordan Mackampa builds on stunning debut album with new EP Come Around

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Jordan Mackampa released his debut album Foreigner last year to critical acclaim. The singer-songwriter, who was raised Coventry, is based in London, and draws on his Congolese roots to create his deeply poetic songs delivered in his distinctive rich vocals, delivered a deeply personal affair with his debut full-length offering, with songs covering topics such as his childhood, his journey into adulthood, and falling in and out of love.

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Iron Maiden’s Adrian Smith and Richie Kotzen’s Brilliant New Track “Taking My Chances”

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Artist collaborations tend to be exciting adventures for fans, especially when two different genres collide. So, when legendary metal guitarist Adrian Smith of Iron Maiden paired up with rock guitarist Richie Kotzen, we were in for a treat. Now, for those who are of the belief that metal, and rock are not that far apart, guess again. There is a cornucopia of differences, but the two styles have a way of blending so beautifully together you can be forgiven for thinking they are cut from the same cloth.

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Anna Leone’s new single Once is a tranquil and captivating affair

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Swedish singer and songwriter Anna Leone dropped her debut EP Wandered Away in 2018, a beautiful record that was plugged by the likes of BBC Music and Spotify, and has gone on to clock up over eighteen million streams online. That EP included her breakthrough track My Soul I, which took her music to the next level. Now the Stockholm-born artist has returned with her new single Once, produced by Paul Butler.

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Willie Jones brings country music to a new audience with eagerly awaited debut album

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It’s not that often a debut album as hyped as Right Now rolls around. But then it’s not often you get an artist like Willie Jones. He is unquestionably one of the rising stars of the current country scene, someone of whom Rolling Stone magazine said he “seems an awful lot like the future of country music.” And with his unique blend of styles that merge hip hop and country, they might just be right.

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Review: Ain't We Got Fun? Liz Gillies & Seth MacFarlane

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Liz Gillies and Seth MacFarlane have put together quite possibly the strangest musical duo, giving us a throwback right to the swinging fifties with their newest single: Ain’t We Got Fun. MacFarlane has already established himself as a strong and confident voice in the world of modern swing, but Liz Gillies was certainly a welcome surprise.

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The Hope List marks a triumphant and exhilarating return for Lonely The Brave

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The future didn’t look particularly bright for Cambridge rockers Lonely The Brave when their frontman and founding member David Jakes left in 2018, citing mental health reasons. For a brief period it appeared the entire future of the band was in doubt, before they dispelled their fans’ fears, recruiting Jack Bennett, who had been recording and performing music under his Grumble Bee moniker, in his place.

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Cerys Matthews presents insightful and inspiring new collaboration with UK poets

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In the years since Catatonia stormed the charts, lead singer and frontwoman Cerys Matthews has turned her attention to all sorts of creative endeavours. With the titles of radio DJ, author, TV presented, festival organiser, musician, singer, and not forgetting an MBE, to her name, Matthews clearly has plenty of passions and interests to pursue. But with her latest project – a twelve track album titled We Come From The Sun – Matthews is embracing a medium with which she has long been fascinated: poetry.

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Franky Wah puts a fresh twist on Jake Bugg's soulful single All I Need

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Nottingham-born indie starlet Jake Bugg signalled something of a change in direction when he dropped his single All I Need last autumn. Gone was the bluesy, Dylan-inspired indie folk of his early work, replaced instead with a soulful, savvy, and slick feel more reminiscent of some of his contemporaries. Which isn’t in any way to detract from the track, which felt then like the logical progression for Bugg who, at just 26 years of age, is still naturally evolving with his music.

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New album 'Drunk Tank Pink' is Shame's claustrophobic and uncompromising masterpiece

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South London punk upstarts Shame can lay claim to one of the best debut albums of the last few years. Songs Of Praise, released in 2018 to almost universal critical acclaim, was a storming, dizzying, and infectious cocktail – a genuinely exciting, sit-up-and-take notice offering from a band brimming with confidence, even if they were still trying to figure things out behind the scenes.

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Nightly put a new spin on their latest album with EP 'night, love you'

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Cousins Jonathan Capeci and Joey Beretta grew up and played in a series of bands together around Philadelphia throughout their teenage years, but it wasn’t until the duo relocated to Nashville to pursue success with their band at the time, Dinner And A Suit, that they began to attract wider attention. Dinner And A Suit ultimately disbanded, but undeterred, Capeci and Beretta formed a new group with friends Stephen Cunsolo and Nicholas Sainato, and signed a deal with Interscope Records in 2016.

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The Pretty Reckless team up with Tom Morello for new single And So It Went

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Formed in New York City in 2008, hard rockers The Pretty Reckless made a big impression with their debut album, 2010’s Light Me Up. It spawned a series of singles before the band dropped the follow-up Going To Hell in 2014. That album’s third single, Messed Up World, was something of a breakthrough track for the band, charting as it did at number one in Billboard’s Mainstream Rock Songs chart. The group’s third studio album, Who You Selling For, dropped in 2016, and was also a commercial success.

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JC Stewart drops exhilarating new single Break My Heart

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Throughout 2020, as the nation contended with lockdown, Northern Irish singer-songwriter JC Stewart was busy releasing a flurry of storming singles including I Need You To Hate Me, When The Light Hits The Room, and the pulsating Too Many Nights with 220 Kid. All these tracks added to the hype surrounding Stewart, who really started to turn heads with his 2019 ballad Bones.

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Jared Leto’s Spectacular Documentary “A Day in the Life of America”

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Jared Leto, most famous for his acting and work with his band Thirty Seconds to Mars, has again turned his hand to directing, once again with stunning results. Many would remember his 2012 documentary “Artifact,” (directed under the pseudonym Bartholomew Cubbins) which so cleverly captured the state of the modern music industry. The film was adored by critics and fans alike, earning a standing ovation and People’s Choice Award for Best Documentary.

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Post-Party serve up a feel good slice of indie pop with new single Being Honest

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Dublin-based four-piece Post-Party only formed in late 2018, but are already winning over fans and attracting interest with their highly energetic live shows and ear for an up-tempo, fun and radio-friendly tune. On first listen, they’re most obviously comparable to the likes of Blossoms and Circa Waves, serving up as they do jangly guitar-driven numbers that can’t help but put a smile on your face.

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Passenger works through heartache with new album Songs For The Drunk And Broken Hearted

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Passenger – otherwise known as Michael Rosenberg – became an overnight sensation with his 2012 single Let Her Go, which was nominated for the Brit Award for British Single of the Year in 2014, and received the British Academy’s Ivor Novello Award for most performed work. It also went to number one in no fewer than sixteen countries – it was, in every sense, a smash hit record.

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Mamas Gun’s Remote-Recorded Album ‘The Tin Pan Sessions’ Is A Staggering, Groovy Accomplishment

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Mamas Gun didn’t let a global pandemic stop them from getting into their groove in their dashing online concert ‘The Tin Pan Sessions.’ The lockdown had forced all musicians to go into “hiding” in a sense; they couldn’t perform in concerts, they couldn’t shoot music videos, they couldn’t go to venues and give the people some live jams. But in crisis emerges resilience, as this British soul band partnered up with Tin Pan Studio to produce a live concert with each of the band members performing from their respective homes. 

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Gabrielle Aplin Thrives In A Hush Electronic Space With New Single ‘When The Lights Go Out’

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Gabrielle Aplin navigates trust and infatuation in her new single ‘When The Lights Go Out.’ The English singer-songwriter is only twenty-eight and has already carved her a niche for herself. She thrives in low-key, subdued musical spaces, where she can freely express her vulnerabilities through melancholic sounds and stripped-back vocals.

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Foster The People tease upcoming album with new EP In The Darkest of Nights, Let The Birds Sing

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American indie-pop outfit Foster The People are the brainchild of singer, songwriter and multiinstrumentalist Mark Foster, and have been through a few lineup changes over the years since they founded in Los Angeles in 2009. They’ve been through a few different sounds too, regularly mixing elements of dance, pop, indie, rock and psychedelia on their three albums to date (Torches in 2011, 2014’s Supermodel, and Sacred Hearts Club, released three years ago).

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The Avalanches prove good things come to those who wait with new album We Will Always Love You

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Australian electro duo The Avalanches dropped their second album Wildflower in 2016, and so, by most yardsticks, the four-year wait for their newly released third album We Will Always Love You would be quite a long one. But when you consider that the group took sixteen years to release the follow up to their widely lauded debut Since I Left You, it becomes clear that they’re now positively motoring along, by their own standards.

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New Sody EP Real Growth Takes Time is a soaring and sensitive delight

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London-based singer-songwriter Sody has been impressing with her sublimely rich vocals and ability to craft raw, honest pop songs since she dropped her debut release Wasted Youth back in 2016. Still a teenager, Sody (otherwise known as Sophie Dyson) is already clocking up almost two and a half million monthly listens on Spotify and has collaborated with the likes of Cavetown on her work to date.

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Caro cram a little bit of everything into brilliant debut album Burrows

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Burrows, the long-awaited debut for Leeds-based trio Caro, is a beguiling beast. They’re a gloriously diverse band, skipping merrily from psychedelic electro to introspective folk and back again with a seemingly reckless abandon, and that makes Burrows a fantastically rewarding listen. For the uninitiated though, it’s a record that might take a while to settle into. But when you do, it’s an absolute delight, like passing through the wardrobe door into a musical Narnia, albeit a very troubled one.

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James Blake drops haunting and eclectic new covers EP

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Singer, songwriter, producer, multi-instrumentalist, global superstar – there’s plenty of labels you could attach to James Blake. But throughout his glittering career, which has so far featured a Mercury Prize win (and a further nomination), a Grammy Award (and five further nominations) and three Brit Award nominations, as well as projects working with everyone from Bon Iver to Beyonce, he’s never shied away from changing things up.

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One Cure for Man Releases Beautiful New Track “Humble”

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One Cure for Man has just dropped another gorgeous new single, following on from his May 2020 release, “Haunted.” Also known as James Parkinson, One Cure for Man is once again showing his amazing ability to take inspiration from the most heartbreaking losses, to teach and encourage us, through his apt and eloquent lyrics and catchy musical style.

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Twenty One Pilots capture the holiday magic with new single Christmas Saves The Year

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After founding as a four-piece in 2009, indie hip-hop outfit Twenty One Pilots were reduced to the duo of vocalist Tyler Joseph and drummer Josh Dun when fellow founding members Nick Thomas and Chris Salih departed in 2011. That might have derailed lesser bands, but Twenty One Pilots refocused, and have enjoyed a huge amount of success over the last decade or so in this guise.

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Belle and Sebastian charm with live collection What to Look for in Summer

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A Belle And Sebastian live album has been a long time coming. The Scottish indie outfit have been bombarded by fan requests for just such a release for years, and it’s easy to see why: they’re a fantastic live band who excel in connecting with their audiences. This 23-song collection contains the pick of tracks from their 2019 tour, and from their appearances at their own Boaty Weekender festival, making it a sort of ‘best of’ live album, though there are one or two of the band’s most famous works missing, which might irk some. But there’s also plenty of big hitters, chief among them The Boy With The Arab Strap.

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Less Than Jake add some silver linings to the clouds of 2020

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Ska-punk scamps Less Than Jake have been recording, touring, and starting drunken teenage parties around the world for closing in on three decades now. But, just like their legions of fans, they’re growing up and growing older. It's been seven years since their last studio album See The Light was released, and there must have been some out there among us that were wondering in the intervening years if we’d ever get them back.

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Review: Rainbow Dodie

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It seems like in the jazz and folk scene, just about everyone’s heard of Dodie, and for a while, too, but it’s only now that she’s finally dedicated herself to an album. Part of that upcoming album is this newest single, titled “Rainbow”. Truthfully, I don’t think I’ve ever seen a song so appropriately titled for a track. It begins with a beautiful guitar progression, plucked one note, one string, at a time, and soon accompanied by the soothing, delicate voice of Dodie.

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Arctic Monkeys remind us of the simple joy of gigs with new live album

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Sheffield sensations the Arctic Monkeys were widely heralded as the saviours of authentic indie rock when they burst onto the scene with breakthrough hit I Bet You Look Good On The Dancefloor, and the album from which it was taken, Whatever People Say I Am, That’s What I’m Not, which became the fastest selling debut album in British music history when it sold a staggering 360,000 copies in its first week of release.

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Shakira Brings A Wild Energy In Black Eyed Peas’ Latest Single ‘A Girl Like Me’

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Black Eyed Peas’ recent comeback scores a rush of excitement in the form of Shakira in their latest single ‘A Girl Like Me’. This beloved group has reassembled in the past year but most would notice that their latest work has been missing a certain feminine flavor. Though Fergie and her captivating vocals are still nowhere to be found, Shakira’s wild and over-the-top charisma shines through and makes an impact regardlessly. It helps that there’s a strong chorus to match Shakira’s spirit, one that distorts her voice at the end and layers it up a couple of pitches. The end-product is a fun, exaggerated, high-pitched refrain that echoes through the silence and builds up the mood for a rambunctious adventure. 

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Mariah Carey Teams Up With Ariana Grande and Jennifer Hudson For ‘Oh Santa!’

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Mariah Carey recruits a coterie of phenomenal singers for her 2020 rendition of ‘Oh Santa!’ featuring Ariana Grande and Jennifer Hudson. The Queen of Christmas may very well glide through every holiday season through her most famous number but she chooses to update a more recent tune of hers. The original version of ‘Oh Santa!’ was released in 2010 but this tune featuring Ariana and Jennifer is set to be a leading single for Mariah’s Apple TV+ Christmas special titled “Mariah Carey’s Magical Christmas Special.” 

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Lissie pays tribute to singers who have inspired her with new covers EP Thank You To The Flowers

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Folk rocker Lissie burst onto the scene a decade ago with her debut album Catching A Tiger, which was recorded in Nashville and spawned the hit single When I’m Alone, chosen by iTunes as their ‘Song of the Year’ for 2010. Three further albums have followed over the last ten years – 2013’s Back To Forever, My Wild West three years later, and Castles in 2018 – releases which solidified her reputation as a singer-songwriter with a real talent for crafting country-tinged modern folk songs.

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David Guetta’s remix of Fleetwood Mac’s “Dreams” is as scintillating as expected

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David Guetta’s take on Fleetwood Mac’s ‘Dreams’ is scintillating enough without losing any of the charms of the original number. Guetta works his usual bit of magic and ends up transforming what was a gentle, whimsical composition into a glamorous, exhilarating affair. ‘Dreams’, as many would know, achieved widespread attention this year after Nathan Apodaca of Idaho Falls posted a TikTok in which he was seen riding on his longboard, drinking Ocean Spray, and lip-syncing to the iconic Fleetwood Mac tune. The video went viral, launched a number of recreations, created a trend, and spawned a couple of thousand memes. Both Stevie Nicks and Mick Fleetwood of the band also joined in on the trend. 

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Jennifer Lopez Expresses Her Deepest Desires In New Single “In The Morning”

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Jennifer Lopez’s new single ‘In The Morning’ makes use of a familiar chord to take us through a touch-starved, ecstasy-filled ride through the artist’s deepest desires. The piece will immediately remind you of the early 2000s. The sharp acoustic guitar chords, the hypnotizing percussion arrangement, and J-Lo’s affective vocals come together to set up a moody, romantic atmosphere that’s brimming with a vulnerable sensuality. A sensuality that J-Lo has cultivated and mastered to perfection over the years. What really bolsters the composition is the central melody — it’s passionate, it’s infectious, and it perfectly encapsulates J-Lo’s strengths. She doesn’t dabble in vocal runs or wild soaring notes; however, she is adept at infusing each and every word with her sass, with her feminine energy, with the glamour and glitz that have made her a household name. 

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New album Something To Feel Good about shows Will Joseph Cook is still smiling

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Will Joseph Cook – the mutli-instrumentalist who earned legions of fans for his debut LP Sweet Dreamer back in 2017 – has long specialised in crafting dreamy, carefree summer-fuelled indie pop numbers. He started writing his own songs when he was in his early teens, with Sweet Dreamer being completed before he hit the age of twenty. Now firmly in his twenties and with his new album Something To Feel Good About, has the now all grown up Cook turned his back on his youthful optimistic self? Not a bit of it.

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Billie Joe Armstrong lifts lockdown blues with new covers record No Fun Mondays

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Lockdown has now become some much a part of our lives that it’s not just inspiring new music, it’s outright facilitating it. Take Green Day frontman Billie Joe Armstrong; way back in March the punk-pop crooner, backed by his sons, jumped online to share his cover of the Tommy James and the Shondells track (made famous by Tiffany) I Think We’re Alone Now. He promised he’d carry on dropping a new cover song every week, dubbing the series ‘No Fun Mondays’.

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James Bourne makes long-awaited solo debut with new album Safe Journey Home

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The post-Busted careers of the trio that formed one of the early noughties biggest acts couldn’t have been much more different. After the runaway success that was the outfit’s first two albums (their self-titled debut in 2002 and A Present For Everyone the following year), the band parted ways at the peak of their powers in 2005 after Charlie Simpson quit the band to focus on his other outfit, the rock band Fightstar. That left Matt Willis to pursue a solo career, while James Bourne reemerged with the very Busted-like Son Of Dork. None of them achieved anything like the kind of success they had together, and in 2015 they reformed, recording two more albums together since.

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Sam Fender releases Christmas cover of Lindisfarne’s Winter Song

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Sam Fender is a man of many talents. After being spotted performing in a pub in his home town in the northeast when he was just a teenager, he went on to appear in ITV drama series Vera, and in the CBBC show Wolfblood. Music was his passion though and after signing a record contract he dropped his debut EP Dead Boys in 2018 and followed it up last year with his first full-length album Hypersonic Missiles, which received some excellent reviews. Along the way, he was named as one of BBC’s Sounds of 2018, and picked up the Critics’ Choice Award at the 2019 Brit Awards.

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New Look Cats In Space Keep The Good Times Rolling With Joyous New Album Atlantis

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As prolific as they are entertaining, Cats In Space have won over plenty of earthlings with their 70s-inspired, riff-heavy classic rock sound since forming back in 2015. Now comprised of Greg Hart (guitars / vocals/ keyboards), Dean Howard (guitars / vocals), Steevi Bacon (drums / vocals), Jeff Brown (bass / vocals), Andy Stewart (piano / synths) and Damien Edwards (lead vocals) after some pretty significant lineup changes recently, the six-piece from Horsham still have a particularly strong reputation for putting on a hell of a live show, and have played alongside rock royalty such as Deep Purple, Status Quo and Bonnie Tyler.

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New Single Sunbeam Shows the Evolution of Australian Sensation Kian

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You might not yet have heard of Australian singer-songwriter Kian Maxwell Bytyci Brownfield – known professionally just as Kian – unless your Down Under, where the teenager has already built a loyal following after dropping a string of alt-pop sensations over the last couple of years. Chief among them was Waiting, a delightfully low key and spacey indie-pop song that has amassed well over sixty million streams in Spotify, bagged an ARIA Awards nomination for Song of the Year and secured twentieth place in Triple J Hottest 100 for 2018.

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Indie Rock Veterans We Are Scientists Still Going Strong With New Single Fault Lines

by Joe Sharratt
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For anyone else that grew up in the noughties, a warning: this next sentence will make you feel really old. American rockers We Are Scientists have been around now for TWENTY years. OK, they’ve been through plenty of lineup changes and even experimented with lots of different genres over that time, but the band that gave us the fun and frolics of 2006’s breakthrough hit album With Love and Squalor are now entering their third decade together.

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Alexis Ffrench Spreads Some Much Needed Christmas Cheer With New EP Home

by Joe Sharratt
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There’s no way around it, 2020 has been a bit of a stinker, so it’s no surprise to see Christmas celebrations underway spectacularly early this year. It seems we’re all just looking for a little way to forget all the pain and suffering this year has brought, and that’s absolutely understandable. In any normal year, a Christmas release in mid-November might cause a few grumbles among certain people, but given the storm of unpleasantness that 2020 has been, I think we can all just welcome it with open arms.

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Justin Bieber & Shawn Mendes Get Real About Their Fears In Eerie ‘Monster’

by Shaoni Das
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Justin Bieber and Shawn Mendes reflect on the overwhelming pressures of their soaring careers in their collaboration ‘Monster.’ The two artists have a number of nearly-identical similarities that unite them in this profound contemplation. Both are from Ontario, Canada; they were both plucked from the ever-competitive platform of YouTube, they were thrust into the spotlight while they were mere teenagers, and they both went on to have unprecedented levels of female fan following. Currently, both Shawn and Justin are in high-profile relationships, which attract both scrutiny and adoration from the public on a daily basis. It’s no surprise that they were able to mine from their shared experiences and create something meaningful. 

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